| Maria Schell | ... | Leonie Caroll | |
| Herbert Lom | ... | Governor Santos | |
| Mercedes McCambridge | ... | Thelma Diaz | |
| Luciana Paluzzi | ... | Natalie Mendoza | |
| Maria Rohm | ... | Marie (as Maria Rohn) | |
| Rosalba Neri | ... | Zoie | |
| Elisa Montés | ... | Helga (as Eliza Montes) | |
| Valentina Godoy | ... | Rosalie | |
| José María Blanco | ... | Doctor | |
| Mike Brendel | |||
| Elsa Zabala | |||
| rest of cast listed alphabetically: | |||
| Ana Lucarella | |||
| Olívia Pineschi | |||
| Juan Antonio Riquelme | |||
| María Vico | |||
| Jesus Franco | ... | (uncredited) | |
Directed by | |||
| Jesus Franco | (as Jess Franco) | ||
Writing credits(in alphabetical order) | ||
| Anya Corvin | German dialogue | |
| Milo G. Cuccia | screenplay | |
| Milo G. Cuccia | story | |
| Carlo Fadda | screenplay | |
| Carlo Fadda | story | |
| Jesus Franco | screenplay (as Jess Franco) | |
| Jesus Franco | story (as Jess Franco) | |
| Javier Péres Grober | screenplay | |
| Harry Alan Towers | English dialogue (as Peter Welbeck) | |
| Ornella Zanelli | Italian dialogue | |
Produced by | |||
| Luis Laso | .... | producer (spanish version) (as Luis L. Moreno) | |
| Harry Alan Towers | .... | producer | |
Original Music by | |||
| Bruno Nicolai | |||
Cinematography by | |||
| Manuel Merino | |||
Film Editing by | |||
| Stanley Frazen | |||
| Bruno Mattei | (Italian version) | ||
| Gabrielle Reinecke | (German version) | ||
Art Direction by | |||
| Santiago Ontañón | |||
Makeup Department | |||
| Adolfo Ponte | .... | makeup artist | |
Production Management | |||
| Robert S. Eisen | .... | post-production supervisor | |
| Luis Laso | .... | general manager (as Luis Lazo) | |
Second Unit Director or Assistant Director | |||
| Juan Estelrich | .... | assistant director | |
Sound Department | |||
| Elio Pacella | .... | sound engineer | |
| James Nelson | .... | supervising sound editor (uncredited) | |
Camera and Electrical Department | |||
| Riccardo Damiani | .... | assistant camera | |
| Antonio Modica | .... | camera operator | |
Editorial Department | |||
| María Luisa Soriano | .... | editor: Spanish version | |
Music Department | |||
| Luca di Silverio | .... | soundtrack album producer | |
Other crew | |||
| Bruno Mattei | .... | director: hardcore sequences (French version) | |
| Loredana Pagliaro | .... | production secretary | |
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| Hellhole Women | Women Behind Bars | Emanuelle fuga dall'inferno | Women in Fury | Fly Me the French Way |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Liechtenstein section |
Given Jess Franco's penchant for uber-strange, dream-like, over-sexed affairs, this comes off as one of his tamest and most main stream movies...as main stream as WIP flicks can be that is.
The film follows follows a familiar pattern. A group of girls are brought to an inescapable fortress/prison were they are to serve out their sentence. The lead girl (played by the lovely Maria Schell) may or may not be innocent, regardless she decides she does not wish to remain in the inhospitable place any longer than she has to and an escape attempt forms.
As would be expected, the prison is host to assorted debauchery and sadism on the part of the prison staff. Prisoners are mistreated, dehumanized, etc. Compared to most any other WIP flick out there, this one is pretty clean content wise. Some clothed cat fights, limited nudity and one harsh (though thankfully brief) rape scene are the most the film offers in terms of exploitation.
Technically speaking, I would argue that this is Franco's most accomplished film. Light, color, sound are all good; even his use of camera angles exceeds what would normally be expected of him. The acting is all around what would be expected from this sort of affair, with the notable exception of Herbert Lom, who manages to be both a creep and oddly likable. A major down point is the script, which is so cut-n-dry that it never does a whole lot of anything.
An actually good Franco movie that may be too tame for his more fetish fans, but certainly worth a look.
(Note: This review is based on the regular edition of the film and not the badly re-edited hardcore version) 7/10