| Photos (see all 9 | slideshow) |
| Jim Brown | ... | Lyedecker | |
| Raquel Welch | ... | Sarita | |
| Burt Reynolds | ... | Yaqui Joe Herrera | |
| Fernando Lamas | ... | General Verdugo | |
| Dan O'Herlihy | ... | Steven Grimes | |
| Eric Braeden | ... | Lt. Franz Von Klemme (as Hans Gudegast) | |
| Michael Forest | ... | Humara | |
| Aldo Sambrell | ... | Sgt. Paletes | |
| Soledad Miranda | ... | Girl in Hotel | |
| Alberto Dalbés | ... | Padre Francisco (as Alberto Dalbes) | |
| Charly Bravo | ... | Lopez (as Carlos Bravo) | |
| José Manuel Martín | ... | Sarita's Father (as Jose Manuel Martin) | |
| rest of cast listed alphabetically: | |||
| Akim Tamiroff | ... | General Romero (scenes deleted) | |
| Sancho Gracia | ... | Mexican leader (uncredited) | |
| Lorenzo Lamas | ... | Indian boy (uncredited) | |
Directed by | |||
| Tom Gries | |||
Writing credits | ||
| Clair Huffaker | (screenplay) and | |
| Tom Gries | (screenplay) | |
| Robert MacLeod | (novel) | |
Produced by | |||
| Marvin Schwartz | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Cecilio Paniagua | (director of photography) | ||
Film Editing by | |||
| Robert L. Simpson | (as Robert Simpson) | ||
Art Direction by | |||
| Carl Anderson | |||
Makeup Department | |||
| Mary Bredin | .... | hair stylist (as Mary Briedon) | |
| Ramón de Diego | .... | makeup artist (as Ramon De Diego) | |
Production Management | |||
| Joseph C. Behm | .... | unit production manager | |
| Tadeo Villalba | .... | production manager: Spain | |
Second Unit Director or Assistant Director | |||
| Chuck Roberson | .... | second unit director | |
| Antonio Tarruella | .... | assistant director (as Tony Tarruella) | |
Sound Department | |||
| Roy Charman | .... | sound (as Roy J. Charman) | |
| David Dockendorf | .... | sound | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| Art Cruickshank | .... | special photographic effects | |
| Alex Weldon | .... | mechanical effects | |
Stunts | |||
| Stefano Capriati | .... | stunt double (uncredited) | |
| Gino DeAgustino | .... | stunts (uncredited) | |
| Donna Garrett | .... | stunt double: Raquel Welch (uncredited) | |
| Terry Leonard | .... | stunts (uncredited) | |
| Hal Needham | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Oscar Rodriguez | .... | wardrobe | |
Music Department | |||
| David Tamkin | .... | orchestrator | |
Other crew | |||
| Sue Dwiggins | .... | production secretary (uncredited) | |
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| Seven Ways from Sundown | Around the World in Eighty Days | The Trail Beyond | The Painted Stallion | North West Mounted Police |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb USA section | Add this title to MyMovies |
Sheriff Lyedecker (Jim Brown) comes to Mexiko as he chases the bank robber Yaqui Joe (Burt Reynolds). As a victim of circumstance, Lyedecker becomes the number 1 enemy of a Mexican general who wants to kill the Yaqui Indians. The sheriff has no other choice than to fight side by side with the bank robber and the Indians now...
The years 1969-1971 mark the beginning of the modern western with the irony of Little Big Man", the cruelty of Soldier Blue", the myth awareness of Butch Cassidy And the Sundance Kid", the depression of McCabe & Mrs Miller" and many more. 100 Rifles" is a kind of missing link between 1960s westerns and the new approach as from 1970 onwards. It makes deliberate, obvious attempts to break taboos, telling the love story between a black guy and a white woman, pushes violence to the level of an Italian western of that time, includes nudity not only in Raquel Welch's famous shower scene, but also in Soledad Miranda's hotel scene at the beginning, and the screenplay adds a left-wing political, anti-racist theme. 100 Rifles" gets carried away by its own enthusiasm sometimes, putting forward its messages a bit clumsily compared to the elegance of The Professionals", a movie which took much more careful steps into the revolution movie direction 2 years earlier. Nevertheless, I enjoyed watching the picture for being a (wild) child of its time, speedy narration and a gorgeous Raquel Welch.