New York private eye Shamus McCoy likes girls, drink and gambling, but by the look of his flat business can't be too hot. So an offer of $10,000 to finds some diamonds stolen in a daring ... See full summary »
In Southern Spain with a U.S. team, skydiver Fathom Harvill is approached by a Scottish colonel working for a top-secret Western agency. He's after a vital lost atomic device, and wants her... See full summary »
Leslie H. Martinson
Sam Whiskey is an all-round talent, but when the attractive widow Laura offers him a job, he hesitates: he shall salvage gold bars, which Laura's dead husband stole recently, from a sunken ... See full summary »
Stuck in a dream world of his own, Italian sculptor Albert Saporito sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor has been murdered, he ... See full summary »
Reynolds plays Yaqui Joe, an Indian who robs a bank in order to buy guns for his people who are being savagely repressed by the government. Set in turn of the century Mexico, it tells the story of his flight into Mexico and his pursuit by an American lawman. They eventually become allies and team up with Welch to take up the cause of the Indians. Written by
Whilst filming the fight on the cliff-top, Jim Brown mentioned to Burt Reynolds that he wasn't too keen on being so close to the edge of a serious drop. Reynolds replied, "If we fall, the newspapers will say 'Jim Brown and unknown actor die'". See more »
Jim Brown goes around with a torn sleeve on a shirt, a sleeve was sewn up then. During the interrogation of the American businessman a sleeve is again torn. See more »
Sheriff Lyedecker (Jim Brown) comes to Mexiko as he chases the bank robber Yaqui Joe (Burt Reynolds). As a victim of circumstance, Lyedecker becomes the number 1 enemy of a Mexican general who wants to kill the Yaqui Indians. The sheriff has no other choice than to fight side by side with the bank robber and the Indians now...
The years 1969-1971 mark the beginning of the modern western with the irony of Little Big Man", the cruelty of Soldier Blue", the myth awareness of Butch Cassidy And the Sundance Kid", the depression of McCabe & Mrs Miller" and many more. 100 Rifles" is a kind of missing link between 1960s westerns and the new approach as from 1970 onwards. It makes deliberate, obvious attempts to break taboos, telling the love story between a black guy and a white woman, pushes violence to the level of an Italian western of that time, includes nudity not only in Raquel Welch's famous shower scene, but also in Soledad Miranda's hotel scene at the beginning, and the screenplay adds a left-wing political, anti-racist theme. 100 Rifles" gets carried away by its own enthusiasm sometimes, putting forward its messages a bit clumsily compared to the elegance of The Professionals", a movie which took much more careful steps into the revolution movie direction 2 years earlier. Nevertheless, I enjoyed watching the picture for being a (wild) child of its time, speedy narration and a gorgeous Raquel Welch.
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