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Sesame Street (1969– )

TV Series  |  TV-Y  |   |  Animation, Comedy, Family
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Ratings: 8.3/10 from 7,182 users  
Reviews: 75 user | 24 critic

On a special inner city street, the inhabitants, both human and puppet, teach preschool subjects with comedy, cartoons, games and songs.


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Won 6 Primetime Emmys. Another 192 wins & 278 nominations. See more awards »
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Series cast summary:
 Bert / ... (241 episodes, 1969-2014)
 Big Bird / ... (235 episodes, 1969-2014)
 News Flash Announcer / ... (223 episodes, 1970-2013)
 Ernie / ... (209 episodes, 1969-2005)
 Maria / ... (186 episodes, 1971-2014)
Martin P. Robinson ...
 Telly Monster / ... (180 episodes, 1982-2015)
Bob McGrath ...
 Bob / ... (166 episodes, 1969-2014)
 Elmo / ... (165 episodes, 1982-2014)
 Gordon / ... (164 episodes, 1974-2014)
 Luis / ... (144 episodes, 1971-2014)
Richard Hunt ...
 Two-Headed Monster / ... (135 episodes, 1974-1998)
Loretta Long ...
 Susan / ... (122 episodes, 1969-2012)
Fran Brill ...
 Prairie Dawn / ... (115 episodes, 1970-2015)
 Cookie Monster / ... (107 episodes, 1986-2015)


The setting is in a small street in a city where children and furry puppet monsters learn about numbers, the alphabet and other pre-school subjects taught in commercial spots, songs and games. Written by Kenneth Chisholm <kchishol@execulink.com>

Plot Summary | Add Synopsis


TV-Y | See all certifications »

Parents Guide:



Official Sites:

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Release Date:

10 November 1969 (USA)  »

Also Known As:

Sesame Street Unpaved  »

Company Credits

Show detailed on  »

Technical Specs


| (2014-)

Sound Mix:



Aspect Ratio:

1.33 : 1
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Did You Know?


When creating the show, executive producer Joan Ganz Cooney, deliberately made sure that the human cast would be an ensemble with approximately equal roles, so no one person would emerge as the host or star of the show and be able to use this as a negotiating tool and threaten the show's survival when it came time for contracts to be renewed, as Robert Keeshan had been able to do as the star of the Captain Kangaroo (1955) show. See more »


During the "Remembering Game" sketch, when Cookie Monster calls "Number 4", a stagehand's arm is visible reaching behind the game board at the bottom right of the screen. See more »


[repeated question]
Bert: Why me?
See more »

Crazy Credits

Each episode is numbered, and this number is displayed at the start of the episode. See more »


Referenced in The Simpsons: Moe Baby Blues (2003) See more »


Performed by An Anything Muppet Father and His Family
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A childhood gem, but it has fallen in standards since I was a lad...
13 November 2004 | by (Southern Hemisphere) – See all my reviews

When I was a child, there were two main educational programs shown to children. Play School, being the other one, basically got me shouting at the television that I was not retarded, not stupid, and not a diminished human being, just a child. From what I've seen from observing some of my cousins' children, it hasn't changed a lot except parents have revised their opinion of its suitability for five year olds. Unfortunately, Sesame Street is going much in the same direction.

In the 1990s, Sesame Street had a rather nasty competitor in the shape of Barney, a purple dinosaur with a support cast that showed no difference in emotional response. Even when that support cast consisted of four year olds and fourteen year olds. As if that wasn't harmful enough, Barney would openly tell children they weren't good if they didn't have good feelings, or alter the rules of a game to make someone else the winner. That such "lessons" were allowed to be broadcast shows how useful the regulators of television really are. By contrast, the Sesame Street I remember even dealt with such issues as the death of a loved one. Goodbye, Mr. Hooper was one of the most amazing episodes of children's television ever broadcast because it made an effort to try and teach children about something so difficult that even live adults are often no help with it.

Other brilliant aspects of the show included using monsters to portray certain feelings or behaviours that the audience might be conflicted about. They had a cookie monster to show what a negative (but highly funny, the way they presented it) appearance gluttony can bring. They had a grouchy monster to show the effects of an anti-social mentality. More "cute" monsters such as Grover were used to show things like fear or sadness. There was a good reason for all of this. Negative feelings are difficult enough for a child to understand, so having puppets to thoroughly explain them was very educational.

Kudos are also due the adult cast of the show. During every episode I saw, even Goodbye, Mr. Hooper, the adults were never condescending or smug. They never acted as if they had every answer. Instead, they told the monster, other puppet, or child characters a few useful tidbits and let these characters work things out for themselves. Even today, if you see the sequences with such annoying characters as Elmo, it is the children or the child-like characters who deliver all the answer lines. Those consultations with child psychologists done by the Children's Television Workshop really paid off.

Unfortunately, and there always seems to be an unfortunately these days when it comes to children's television, a certain adherence to marketing over education crept in over recent years. The greatness of such characters as Oscar or Grover was that they could appeal to children without needing to be cutesy. Oscar was a grump who appeared to have worked too many night shifts, while Grover seemed to be just a fearful but friendly guy trying to make his way in the world. Perfectly normal, ordinary people wrapped up in some very bizarre-looking trimmings, in other words. Nowadays, characters like Elmo seem so awfully sugarcoated that it makes me wonder if his audience is going to encounter problems in later life when they learn they cannot get by simply on acting cute.

I don't know who pulls the strings on this show these days, but I would like to implore them for the sake of future generations. The old way of educating the children about the fundamentals of life, and letting the cute factor take care of itself, was a much better one. Please go back to it. I might not be part of the audience anymore, but I do have second cousins, and maybe one day a niece or nephew, who are.

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