Set in post-nuclear-holocaust England, where a handful of bizarre characters struggle on with their lives in the ruins, amongst endless heaps of ash, piles of broken crockery and brick, ... See full summary »
New York police are bemused by a spate of reports of a giant flying lizard that has been spotted around the rooftops of New York, which they assume to be bogus until the lizard starts to ... See full summary »
Set in the golden era of Grand Prix Racing '1' tells the story of a generation of charismatic drivers who raced on the edge, risking their lives during Formula 1's deadliest period, and the men who stood up and changed the sport forever.
The line between genius and madness is a fine one, and no individual epitomised these extremes more effectively than Spike Milligan. The 'Monty Python' team freely admit drawing inspiration from his shows. I never saw 'Q5' alas, but the later series - beginning with 'Q6' - were a mixture of the brilliant and banal. Like the Pythons, if Milligan tired of a sketch he'd cut it short. False noses and boot polished faces cropped up a lot. Then there was the well-endowed Julia Breck, whom Spike delighted in undressing on air. Spike himself never seemed to be able to get through a sketch without giggling. Amongst the highlights were a spoof 'The World About Us' about the 'Cock-a-knees' ( Cockneys ), the 'Good Samaritan' read from a pulpit by a police officer, the infamous Pakistani Dalek sketch, 'The First Irishman In Space', 'The Smallest Police Station In The World' and Adolf Hitler doing a George Formby impression. You had to love Spike to love the show - and I did.
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