An offbeat look at the Spanish Inquisition; an unconventional version of "Wuthering Heights." Also: a jury plays charades while delivering its verdict; a man attempts to find one nontaxable pleasure.
World revolutionaries are quizzed about football scores; figures from works of art go on strike throughout galleries in England; the search continues for a cure for over-acting; Viking marauders ...
A pet-shop customer returns his dead parrot; a gang of female senior citizens attacks a town's young men; a young army officer who joined the service to water-ski tries to resign.
In the Tudor court of Elizabeth I, Lord Edmund Blackadder strives to win Her Majesty's favour while attempting to avoid a grisly fate should he offend her.
Stars:
Rowan Atkinson,
Tony Robinson,
Tim McInnerny
At a New Millennium Eve party Blackadder and Baldrick test their new time machine and ping pong through history encountering famous characters and changing events rather alarmingly....
The irreverent Monty Python comedy troupe present a series of skits which are often surreal, bawdy, uncompromising and/or tasteless, but nearly always hilarious. Written by
Murray Chapman <muzzle@cs.uq.oz.au>
The main logo for the show (as seen in the end credits) is written in the same font as the similarly-named Pussy Galore's Flying Circus from the James Bond film Goldfinger (1964). See more »
Quotes
Victor:
Look, get out, all of you. Go on. Get out! Get out!
Mr. Equator:
I beg your pardon?
Victor:
I'm turning you all out! I'm not having my house filled with filthy perverts. Now look, I'm giving you just half a minute then I'm going to call the police, so get out!
Mr. Equator:
I don't much like the tone of your voice.
See more »
Crazy Credits
Several episodes go on for several minutes following the closing credits. Some closing credits even incorporate the BBC "rolling earth" logo that was used at the time between programs. See more »
With hindsight, it seems possible that we can praise the Pythons too much. But you have to look at what they did in the context of its time.
They blew a massive hole in the conventions of not only television comedy, but television itself. They used (and abused) the medium to what was then the limit of its potential: no thirty-second "blackout" skits, no contrived punchlines (except in the name of self-mocking irony), performers falling out of character and addressing the audience, skits being intruded by characters from a previous sketch, or even an entirely different episode (so you had to pay attention!), stream-of-consciousness animated links, absurd props (the 16 ton weight)... and they claim they merely threw it all together when the BBC approached them to make a "satirical sketch show" in the vein of "The Frost Report" or "TW3".
Not only that, but they have influenced probably every comedy writer and performer of note ever since.
The Pythons are either authentic, top-drawer geniuses, or the six luckiest opportunists who ever lived - probably a bit of both! They caught the BBC with its knickers down and took advantage.
OK, so the shows look their age, and much of the material is rambling, patchy, hit-and-miss stuff. But we only remember the good bits, and it is those good bits which will ensure the place in television history of Messrs Chapman, Cleese, Gilliam, Idle, Palin and Jones for many years to come.
Lavishing praise on a thirty-two-year-old television series? It all seems a bit silly to me...
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With hindsight, it seems possible that we can praise the Pythons too much. But you have to look at what they did in the context of its time.
They blew a massive hole in the conventions of not only television comedy, but television itself. They used (and abused) the medium to what was then the limit of its potential: no thirty-second "blackout" skits, no contrived punchlines (except in the name of self-mocking irony), performers falling out of character and addressing the audience, skits being intruded by characters from a previous sketch, or even an entirely different episode (so you had to pay attention!), stream-of-consciousness animated links, absurd props (the 16 ton weight)... and they claim they merely threw it all together when the BBC approached them to make a "satirical sketch show" in the vein of "The Frost Report" or "TW3".
Not only that, but they have influenced probably every comedy writer and performer of note ever since.
The Pythons are either authentic, top-drawer geniuses, or the six luckiest opportunists who ever lived - probably a bit of both! They caught the BBC with its knickers down and took advantage.
OK, so the shows look their age, and much of the material is rambling, patchy, hit-and-miss stuff. But we only remember the good bits, and it is those good bits which will ensure the place in television history of Messrs Chapman, Cleese, Gilliam, Idle, Palin and Jones for many years to come.
Lavishing praise on a thirty-two-year-old television series? It all seems a bit silly to me...