| Don Messick | ... | Muttley / ... (26 episodes, 1969-1970) | |
| Paul Winchell | ... | Dick Dastardly / ... (26 episodes, 1969-1970) |
Series Directed by | |||
| Joseph Barbera | (17 episodes, 1969-1970) | ||
| William Hanna | (17 episodes, 1969-1970) | ||
Series Writing credits | ||
| Larz Bourne | (17 episodes, 1969-1970) | |
| Michael Maltese | (17 episodes, 1969-1970) | |
| Dalton Sandifer | (17 episodes, 1969-1970) | |
Series Produced by | |||
| Joseph Barbera | .... | producer (17 episodes, 1969-1970) | |
| William Hanna | .... | producer (17 episodes, 1969-1970) | |
| Alex Lovy | .... | associate producer (17 episodes, 1969-1970) | |
Series Film Editing by | |||
| Richard C. Allen | (17 episodes, 1969-1970) | ||
| Pat Foley | (17 episodes, 1969-1970) | ||
Series Production Design by | |||
| Iwao Takamoto | (17 episodes, 1969-1970) | ||
Series Production Management | |||
| Victor O. Schipek | .... | production supervisor (17 episodes, 1969-1970) | |
Series Art Department | |||
| Alex Lovy | .... | story director (17 episodes, 1969-1970) | |
| Bill Perez | .... | story director (17 episodes, 1969-1970) | |
Series Sound Department | |||
| Richard Olson | .... | sound director (17 episodes, 1969-1970) | |
Series Camera and Electrical Department | |||
| Dick Blundell | .... | camera operator (17 episodes, 1969-1970) | |
| Bill Kotler | .... | camera operator (17 episodes, 1969-1970) | |
| Ralph Migliori | .... | camera operator (17 episodes, 1969-1970) | |
| Cliff Shirpser | .... | camera operator (17 episodes, 1969-1970) | |
| Rex Stevens | .... | camera operator (17 episodes, 1969-1970) | |
| Roy Wade | .... | camera operator (17 episodes, 1969-1970) | |
Series Animation Department | |||
| Lou Appet | .... | layout artist (17 episodes, 1969-1970) | |
| Ed Barge | .... | animator (17 episodes, 1969-1970) | |
| Ed Benedict | .... | layout artist (17 episodes, 1969-1970) | |
| William Butler | .... | background artist (17 episodes, 1969-1970) | |
| Emil Carle | .... | animator (17 episodes, 1969-1970) | |
| Jerry Eisenberg | .... | character designer (17 episodes, 1969-1970) | |
| Izzy Ellis | .... | animator (17 episodes, 1969-1970) | |
| Jim Fletcher | .... | layout artist (17 episodes, 1969-1970) | |
| John Garling | .... | animator (17 episodes, 1969-1970) | |
| Robert Gentle | .... | background artist (17 episodes, 1969-1970) | |
| Roberta Greutert | .... | ink and paint supervisor (17 episodes, 1969-1970) | |
| Jerry Hathcock | .... | animator (17 episodes, 1969-1970) | |
| Don Jurwich | .... | layout artist (17 episodes, 1969-1970) | |
| Lin Larsen | .... | layout artist (17 episodes, 1969-1970) | |
| Jack Manning | .... | layout artist (17 episodes, 1969-1970) | |
| Bob Maxfield | .... | animator (17 episodes, 1969-1970) | |
| Marija Miletic Dail | .... | animator (17 episodes, 1969-1970) | |
| Kenneth Muse | .... | animator (17 episodes, 1969-1970) | |
| Charles A. Nichols | .... | animation director (17 episodes, 1969-1970) | |
| Iraj Paran | .... | background artist (17 episodes, 1969-1970) | |
| Walt Peregoy | .... | background stylist (17 episodes, 1969-1970) | |
| Curt Perkins | .... | background artist (17 episodes, 1969-1970) | |
| Morey Reden | .... | animator (17 episodes, 1969-1970) | |
| Vive Risto | .... | animator (17 episodes, 1969-1970) | |
| Carlo Vinci | .... | animator (17 episodes, 1969-1970) | |
| Dave Weidman | .... | background artist (17 episodes, 1969-1970) | |
| Robert 'Tiger' West | .... | xerographer (17 episodes, 1969-1970) | |
Series Music Department | |||
| Ted Nichols | .... | musical director (17 episodes, 1969-1970) | |
Series Other crew | |||
| Frank Paiker | .... | technical supervisor (17 episodes, 1969-1970) | |
| Bill Perez | .... | title designer (17 episodes, 1969-1970) | |
| Robert Schaefer | .... | titles (17 episodes, 1969-1970) | |
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Back when "Dastardly and Muttley in Their Flying Machines" debuted, I was a fan. I'd enjoyed the two in "The Wacky Racers" and so it was natural I'd watch this spin-off. And, for a five year-old, it was enjoyable. Several decades later, the show was shown on the Boomerang Channel and I decided to give it a watch for nostalgia's sake. And, to my moderate surprise, the show was absolutely terrible. A horribly low cel count (common in the poorly animated 1960s and 70s that was dominated by Hanna-Barbera), completely one-dimensional characters and terrible writing (with very repetitive and flimsy plots involving catching a stupid pigeon...PERIOD) made it an absolute chore to watch. After a few episodes, I swore I'd never see this abomination again!
So why do I think I liked it to back in the old days? Much of it simply was because bad writing and low cel counts were the norm for 1969. Now, with the improvement in the quality of cartoons, it's obvious when you watch any of the old shows of 1969 that they simply don't stack up with the recent offerings by Nickelodeon or the old classic Looney Tunes shorts. And, I assume with kids today seeing better quality cartoons, that they, too, would be a bit bored by this Dastardly cartoon.