British actress Naomie Harris has been nominated for an Oscar for her role as a crack-addicted mother in the 2016 indie drama Moonlight. "No Small Parts" takes a look at some other roles she's played in her career.
In an indictment of the British public school system, we follow Mick and his mostly younger friends through a series of indignities and occasionally abuse as any fond feelings toward these schools are destroyed. When Mick and his friends rebel, violently, the catch phrase, "which side would you be on" becomes quite stark. Written by
John Vogel <firstname.lastname@example.org>
Contrary to the story that says some scenes of the film are in black-and-white instead of color because the production company was running short of money and saved money by having some scenes processed in monochrome, according to interviews with Malcolm McDowell, Lindsay Anderson and the cameraman, they first shot the scenes in the school chapel in monochrome because they had to use natural light that came in through the big stained-glass window, requiring high-speed film. The high-speed color stock they tested was very grainy and the constantly-shifting color values due to the angle of the light through the stained glass made it impossible to color-correct, as well. So they decided to shoot those scenes in monochrome, and, when he saw the dailies, Anderson liked the way that it "broke up the surface of the film", and decided to insert other monochrome scenes more or less at random, to help disorient the viewer as the film slipped from realism to fantasy. See more »
Jute arrives at school and looks at the notice board. In the next shot, when he's talking to Rowntree, the stripes on his tie are in a different position. i.e. the tie has been re-tied. See more »
When If.. was re-released at the end of the 1990s, it came with the slogan: 'An Anarchist's Punk Dream!' This certainly summarises the film's main ethos, in which revolution and the dream of blowing up the old school master is a dream of every anti-social English school boy. MacDowel is superb in this film, and he apparently landed the gig for A Clockwork Orange through Kubrick watching this film several times. The direction is also brilliant by Lyndsey Anderson, who unfortunately never amounted to much after this. If you're interested in the changing attitudes of English society during the 1960's then watch if..., as there's no better illustration. One of the all time British classics, with a bizarre sequel called 'Oh Lucky Man'.
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