This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.
Mick Travis is a reporter who is about to shoot a documentary on Britannia Hospital, an institution which mirrors the downsides of British Society. It's the day when Her Royal Highness is ... See full summary »
In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver. Machin lodges ... See full summary »
Award winning director Lindsay Anderson (If..., O Lucky Man!) subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay ... See full summary »
Bruce Pritchard is paralysed in a soccer game and is confined to a wheelchair in a convalescence home. But this doesn't slow his lust for life. Then he meets Jill and has to think about the... See full summary »
Jimmy is a self-loathing and frustrated musician who works at a candy shop. He takes out his rage on his long suffering wife and his business partner and best friend, who lives next door. ... See full summary »
Summer people in Maine: things are changing. Whales no longer pass close to the shore as they did during the youth of two elderly widowed sisters who have a seaside home where they've ... See full summary »
Bombay-based Anil Agarwal lives a very wealthy lifestyle, mostly from wealth, estate, and business inherited from his grandfather, along with his wife, Anju, and a school-going son named ... See full summary »
In an indictment of the British public school system, we follow Mick and his mostly younger friends through a series of indignities and occasionally abuse as any fond feelings toward these schools are destroyed. When Mick and his friends rebel, violently, the catch phrase, "which side would you be on" becomes quite stark. Written by
John Vogel <firstname.lastname@example.org>
Very early in the film the viewer is given a hint of the counter-cultural themes the film revolves around when in the young boys' dormitory there are posters of Ernesto "Che" Guevara and Geronimo a.k.a. Goyathlay, the former man being associated with revolution, and the latter associated with rebellion. See more »
At 23:35, in history class, the student behind Mick changes position between shots. See more »
The whole world will end very soon - black, brittle bodies peeling into ash...
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The film's opening prologue states: Wisdom is the principal thing; therefore get wisdom: and with all thy getting get understanding PROVERBS IV:7 See more »
Brilliant mixture of social criticism and fantasy rebellion. One of the most powerful movies of the 1960s.
'If...' is a fascinating and powerful film set in an oppressive and archaic public (that's private to us non-Brits) school. It is one of the most original and innovative of all British movies of the 60s, a decade which began in some ways with 'Peeping Tom' and ended with 'Performance', two much maligned movies which in hindsight are astonishing achievements. 'If..' is equally as striking (and disturbing) as those two criminally underrated movies, but in contrast actually achieved quite a level of popularity on its original release. Even so I don't believe the movie gets the attention it deserves. Hopefully it will be rediscovered by a new generation of movie lovers as it is still very relevant and powerful even now, thirty five years later. Malcolm McDowell (his film debut) stars as the ring-leader of a small group of dissatisfied students who don't fit in with their ultra-conformist contemporaries. His performance is first rate, and in several scenes you can almost see Alex, his droog to be ('A Clockwork Orange'). The movie mixes documentary like realism with fantasy sequences involving "The Girl" (Christine Noonan), and eventually violent rebellion. A movie very much of its time it still is very watchable today and has lost little of its power and ability to surprise. Lindsay Anderson, arguably Britain's most underrated director, continued to expand upon McDowell's Mick Travis character in two subsequent movies, but 'If..' has a very different feel from those "sequels", if they can truly be termed that, and can be watched as a stand alone movie. I was impressed with this movie when I first saw it on black and white TV as a young lad, and I was still impressed when I watched it again the other week. And I will guarantee it will not be my last viewing of this brilliant film! A must see for anyone with any interest whatsoever in 1960s pop culture or film.
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