This sprawling, surrealist musical serves as an allegory for the pitfalls of capitalism, as it follows the adventures of a young coffee salesman in Europe. Many actors play multiple roles, giving the film a stagy tone.
Mick Travis is a reporter who is about to shoot a documentary on Britannia Hospital, an institution which mirrors the downsides of British Society. It's the day when Her Royal Highness is ... See full summary »
In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver. Machin lodges ... See full summary »
Award winning director Lindsay Anderson (If..., O Lucky Man!) subverts the mockumentary genre and presents to the audience a detailed and humored account of what truly means to be Lindsay ... See full summary »
Bruce Pritchard is paralysed in a soccer game and is confined to a wheelchair in a convalescence home. But this doesn't slow his lust for life. Then he meets Jill and has to think about the... See full summary »
Jimmy is a self-loathing and frustrated musician who works at a candy shop. He takes out his rage on his long suffering wife and his business partner and best friend, who lives next door. ... See full summary »
Bombay-based Anil Agarwal lives a very wealthy lifestyle, mostly from wealth, estate, and business inherited from his grandfather, along with his wife, Anju, and a school-going son named ... See full summary »
In an indictment of the British public school system, we follow Mick and his mostly younger friends through a series of indignities and occasionally abuse as any fond feelings toward these schools are destroyed. When Mick and his friends rebel, violently, the catch phrase, "which side would you be on" becomes quite stark. Written by
John Vogel <email@example.com>
The scene of the beating in the gym was completely adlibbed. See more »
The boys order coffee at the Packhorse Café. The waitress pours the coffee into two cups and slides the cups towards the boys across the counter without spilling the coffee. Travis adds sugar to his coffee from a sugar tin. He spills some sugar and several small drops of coffee onto the counter. The spoon is left in the sugar can pointing towards the café entrance door. The boys then take their coffees away from the counter and walk towards the tables. The next shot shows the waitress standing behind the counter watching the boys. There is now a long streak of coffee on the counter which wasn't there before and the spoon in the sugar can is now pointing in a different direction. There is also no sugar spilt on the counter and no small drops of coffee either. See more »
Brilliant mixture of social criticism and fantasy rebellion. One of the most powerful movies of the 1960s.
'If...' is a fascinating and powerful film set in an oppressive and archaic public (that's private to us non-Brits) school. It is one of the most original and innovative of all British movies of the 60s, a decade which began in some ways with 'Peeping Tom' and ended with 'Performance', two much maligned movies which in hindsight are astonishing achievements. 'If..' is equally as striking (and disturbing) as those two criminally underrated movies, but in contrast actually achieved quite a level of popularity on its original release. Even so I don't believe the movie gets the attention it deserves. Hopefully it will be rediscovered by a new generation of movie lovers as it is still very relevant and powerful even now, thirty five years later. Malcolm McDowell (his film debut) stars as the ring-leader of a small group of dissatisfied students who don't fit in with their ultra-conformist contemporaries. His performance is first rate, and in several scenes you can almost see Alex, his droog to be ('A Clockwork Orange'). The movie mixes documentary like realism with fantasy sequences involving "The Girl" (Christine Noonan), and eventually violent rebellion. A movie very much of its time it still is very watchable today and has lost little of its power and ability to surprise. Lindsay Anderson, arguably Britain's most underrated director, continued to expand upon McDowell's Mick Travis character in two subsequent movies, but 'If..' has a very different feel from those "sequels", if they can truly be termed that, and can be watched as a stand alone movie. I was impressed with this movie when I first saw it on black and white TV as a young lad, and I was still impressed when I watched it again the other week. And I will guarantee it will not be my last viewing of this brilliant film! A must see for anyone with any interest whatsoever in 1960s pop culture or film.
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