A former aristocrat Ippolit Vorobyaninov leads a miserable life in Soviet Russia. His mother-in-law reveals a secret to him - she hid family diamonds in one of the twelve chairs they once ... See full summary »
The hero of the film is an insurance agent who is also a car thief. He steals cars only from various crooks and never from the good people. Then he sells those stolen cars and gives all the... See full summary »
After WWII is over, a young officer Volodya Sharapov returns to Moscow to work in MUR - Moskovskiy Ugolovny Rozysk (Moscow Criminal Police). There he meets Gleb Zheglov who is a chief of a ... See full summary »
Anatoli Yefremovich Novoseltsev works in a statistics institution, whose director is an unattractive and bossy woman. An old friend of his, Yuri Grigorievich Samokhvalov, who gets appointed... See full summary »
Stunning WWII flying sequences as the Soviet Air Force battles the Luftwaffe. Veteran Russian pilots teach their new recruits about life, death & love. When the older men fly into battle, ... See full summary »
The members of a Soviet cooperative have pooled their money to have a badly needed parking garage built. But it turns out that the garage will have four fewer spaces than planned. In brutal... See full summary »
Semyon Gorbunkov goes on a cruise. In Istanbul, he slips and breaks his arm. What he didn't know is that this was a signal for a gang of smugglers (a real smuggler - Gena - was also on ... See full summary »
In this comic but dated story, nerdy Shurik travels to the Caucasus in search of native legends and folklore. But what he finds is a beautiful girl whom, due to intoxication and deceit of ... See full summary »
A philosophical and poetic portrait of the famous (or maybe infamous?) Baron Munchhausen. His crazy, yet very merriment, stories, views and behavior is what sets him apart from others. He ... See full summary »
A kindergarten director Troshkin is a dead ringer for a criminal nicknamed "Docent" who stole the priceless headpiece of Alexander the Great during an archaeological expedition. But after ... See full summary »
The version I watched not long ago of Ilf and Petrov's previous novel of Ostap Bender, "The Twelve Chairs" distinguished itself by unashamedly combining a 1920s setting with a 1970s look and feel. This film goes a very different route with no less success and goes all out for a reconstruction of the film style of the 1920s, complete with authentic-looking title cards to set the scenes. Combined with its sound (and excellent 1920s music) and accommodating running time, it makes for an unusual, pleasant and suitable feel.
This film's greatest advantage is that it is completely in the spirit of Ilf and Petrov's hilarious, adventurous, subversive, and even somewhat humanizing novel. The book builds its effect on may small incidents, and it would have seemed a challenge to choose which to include even in a two-part film adaptation, but this one makes these choices seem perfectly natural.
The biggest asset of them all is Sergey Yurskiy, who for me now embodies the hero Ostap Bender. He's a con man you can feel for (He just wants to go to Rio De Jinero!), and his wry, knowing looks and addresses at the camera are, funny, effective at building sympathy, and at the same time as they are a tribute to the time of such artists as Oliver Hardy and Charley Chase, they also add a postmodern touch.
If this adaptation is not as much fun as is source material, it is only for taking less time to finish!
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