When a widower with 10 children marries a widow with 8, can the 20 of them ever come together as one big happy family? From finding a house big enough for all of them and learning to make ...
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Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teen-age daughter, get fixed up. They start dating and decide to get married. They're not prepared for the hostile ... See full summary »
"Cheaper By the Dozen", based on the real-life story of the Gilbreth family, follows them from Providence, Rhode Island to Montclair, New Jersey, and details the amusing anecdotes found in ... See full summary »
Drama critic Larry McKay, his wife Kay, and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kay settles into suburban life, Larry... See full summary »
Clay Spencer is a hard-working man who loves his wife and large family. He is respected by his neighbors and always ready to give them a helping hand. Although not a churchgoer, he even ... See full summary »
The trials and tribulations of the Winfield family in small town Indiana as Marjorie Winfield's boyfriend, William Sherman, returns from the Army after W.W.I. Bill & Marjorie's on-again, ... See full summary »
College-bound Andy (Mickey Rooney) blurts marriage proposals to his sweetheart Polly (Ann Rutherford) and her pert swimmer friend Sheila (Esther Williams). (Source: Turner Classic Movies + DirecTV guide)
When a widower with 10 children marries a widow with 8, can the 20 of them ever come together as one big happy family? From finding a house big enough for all of them and learning to make 18 school lunches, to coping with a son going off to war and an unexpected addition to the family, Yours, Mine and Ours attempts to blend two families into one and hopes to answer the question Is bigger really better? Written by
April M. Cheek <Aravis2713@aol.com>
When the television show, The Brady Bunch (1969) was in the beginning phases of production, the makers of "Yours, Mine and Ours" threatened to sue claiming that the concept was too similar to their own. The threat was withdrawn, however, when Brady Bunch producer Sherwood Schwartz countered the action with documentation that his original script was shown to have a copyright date before that of the movie. The final evidence that halted any legal proceedings was the fact that the original Brady Bunch title, according to the original draft of Schwartz's script, was "Yours and Mine." See more »
Driving back from the Japanese restaurant, the trio are on the upper deck of the San Francisco Bay Bridge. The upper deck runs westbound, into San Francisco from the east. To return to Alameda, eastbound from San Francisco, one would drive on the lower deck. This was likely known by the filmmakers who used upper deck footage because it's much nicer than the tunnel-like experience of the lower deck. See more »
[Helen is about to have a baby]
I know this is a terrible time to talk about it, but Larry says...
I've got a message for Larry. You tell him this is what it's all about. This is the real happening. If you want to know what love really is, take a look around you.
What are you two talking about?
Take a good look at your mother.
It's giving life that counts. Until you're ready for it, all the rest is just a big fraud. All the crazy haircuts in the world won't keep it...
[...] See more »
I have to admit that I had trouble with Henry Fonda and Lucille Ball in the leads largely because they both were really too old to play their respective characters (Ball was about 57 at the time and Fonda about 63). In the end the film is so well done that I forgot about that. Aside from the film "Please Don't Eat the Daisies", this is probably the best family movie of the 60's. The best thing about the film is the realistic way in which the family blends together. The usual problems are all there and the way in which Fonda and Ball deal with it is about what one would expect, a certain amount of good intentions, a bit of mistake making, sacrifice, and providing a good deal of love and support. The writing may not be politically correct in this day and age (the scene where Fonda's kids get Ball drunk, Ball spanks one of the boys, and there is also a certain amount of gender stereotyping), but it is this that gives the film its appeal and relatability. As Leonard Maltin points out, look for a some well known faces in the supporting cast. Tom Bosley as the doctor, Tim Matheson as Mike, a four or five year old Tracey Nelson, Morgan Brittany of Dallas fame, 70's TV staple Ben Murphy as the oldest daughter's boyfriend, and well known child actor Eric Shea who gives an endearing performance as young Philip, the kid that seems the most lost in the big family. All in all Dad Fonda sums the whole thing up when he describes for the oldest daughter (who's being pressured by the boyfriend to have sex) what love is really about and how this family is staying together, "It isn't going to bed with a man that proves that you love him it's getting up in the morning and facing the drab, miserable, wonderful everyday world that counts. I suppose having 19 kids is carrying it a bit too far, but if we had it to do all over again who would we skip, you?" And that is exactly what Helen and Frank are doing together, and the kids admire and respect them all the more for it.
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