When a widower with 10 children marries a widow with 8, can the 20 of them ever come together as one big happy family? From finding a house big enough for all of them and learning to make ... See full summary »
"Cheaper By the Dozen", based on the real-life story of the Gilbreth family, follows them from Providence, Rhode Island, to Montclair, New Jersey, and details the amusing anecdotes found in... See full summary »
Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teen-age daughter, get fixed up. They start dating and decide to get married. They're not prepared for the hostile ... See full summary »
It's that time of year again. Christmas! Ricky and Lucy tell Little Ricky all about Santa claus, each in their own unique way. Then Little Ricky is sent to bed and then Fred and Ethel come ... See full summary »
Lucy is back again in this one hour sequel to I Love Lucy. Lucy and her husband, Ricky Ricardo, are living in the country with their best friends and old landlords, Fred and Ethel Mertz. ... See full summary »
Widower Jairaj Verma lives with his four sons in a small apartment. Three of his sons are in their teens, while his youngest son is around 12 years. On the other hand there is Maya Sinha, a... See full summary »
When a widower with 10 children marries a widow with 8, can the 20 of them ever come together as one big happy family? From finding a house big enough for all of them and learning to make 18 school lunches, to coping with a son going off to war and an unexpected addition to the family, Yours, Mine and Ours attempts to blend two families into one and hopes to answer the question Is bigger really better? Written by
April M. Cheek <Aravis2713@aol.com>
Helen Eileen Beardsley (who wrote the book Who Gets the Drumsticks? on which this was based) died 26 April 2000, aged 70, Healdsburg, California, USA (Parkinson's disease). See more »
During their first date in a club, Frank is wearing his hat during the entire sequence. This would be a hideous breach of Naval etiquette, and never done by a real Naval officer. See more »
Sister, I, uh, I understand your legal problem, but you must try to understand mine. You see, I'm trying to bring two families together, and this is the first sign that I may be succeeding. So I really would appreciate it if you'd let Phillip sign his name Beardsley.
Sister Mary Alice:
But legally, it's North.
But it's more important that emotionally, it's Beardsley.
Sister Mary Alice:
Sister Mary Alice:
Beardsley! Beardsley! Beardsley!
Watch out, Mom. You might get a black eye.
See more »
I have to admit that I had trouble with Henry Fonda and Lucille Ball in the leads largely because they both were really too old to play their respective characters (Ball was about 57 at the time and Fonda about 63). In the end the film is so well done that I forgot about that. Aside from the film "Please Don't Eat the Daisies", this is probably the best family movie of the 60's. The best thing about the film is the realistic way in which the family blends together. The usual problems are all there and the way in which Fonda and Ball deal with it is about what one would expect, a certain amount of good intentions, a bit of mistake making, sacrifice, and providing a good deal of love and support. The writing may not be politically correct in this day and age (the scene where Fonda's kids get Ball drunk, Ball spanks one of the boys, and there is also a certain amount of gender stereotyping), but it is this that gives the film its appeal and relatability. As Leonard Maltin points out, look for a some well known faces in the supporting cast. Tom Bosley as the doctor, Tim Matheson as Mike, a four or five year old Tracey Nelson, Morgan Brittany of Dallas fame, 70's TV staple Ben Murphy as the oldest daughter's boyfriend, and well known child actor Eric Shea who gives an endearing performance as young Philip, the kid that seems the most lost in the big family. All in all Dad Fonda sums the whole thing up when he describes for the oldest daughter (who's being pressured by the boyfriend to have sex) what love is really about and how this family is staying together, "It isn't going to bed with a man that proves that you love him it's getting up in the morning and facing the drab, miserable, wonderful everyday world that counts. I suppose having 19 kids is carrying it a bit too far, but if we had it to do all over again who would we skip, you?" And that is exactly what Helen and Frank are doing together, and the kids admire and respect them all the more for it.
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