| Videos (see all 2) |
| The Beatles | ... | Themselves (as Sgt. Pepper's Lonely Hearts Club Band) | |
| Paul Angelis | ... | Chief Blue Meanie / Ringo (voice) | |
| John Clive | ... | John (voice) | |
| Dick Emery | ... | Jeremy Hilary Boob, Ph.D - Nowhere Man / Lord Mayor / Max (voice) | |
| Geoffrey Hughes | ... | Paul (voice) (as Geoff Hughes) | |
| Lance Percival | ... | Young / Old Fred (voice) | |
| rest of cast listed alphabetically: | |||
| Peter Batten | ... | George (voice) (uncredited) | |
Directed by | |||
| George Dunning | |||
Writing credits | ||
| Lee Minoff | (story) | |
| Lee Minoff | (screenplay) and | |
| Al Brodax | (screenplay) & | |
| Jack Mendelsohn | (screenplay) and | |
| Erich Segal | (screenplay) | |
| Roger McGough | uncredited | |
Produced by | |||
| Al Brodax | .... | producer | |
| Alan Kozlowski | .... | executive producer (1999 renovation) | |
| Mary Ellen Stewart | .... | associate producer | |
Film Editing by | |||
| Brian J. Bishop | |||
Art Direction by | |||
| Heinz Edelmann | |||
Production Management | |||
| John Coates | .... | production supervisor | |
Art Department | |||
| Jon Cramer | .... | designer | |
| Dick Sawyer | .... | designer | |
Sound Department | |||
| Peter Cobbin | .... | 6-track digital print mastering mixer (1999 renovation) | |
| Donald Cohen | .... | dubbing editor | |
| Ted Hall | .... | 6-track digital print mastering mixer (1999 renovation) | |
| Ted Hall | .... | supervising re-recording mixer (1999 renovation) | |
| John Keating | .... | sound engineer: DTS, Los Angeles (1999 renovation) | |
| Shane T. Keller | .... | assistant sound engineer (1999 renovation) | |
| Peter Mew | .... | digital re-mastering (1999 renovation) | |
| Michael Minkler | .... | 6 track digital print mastering mixer (1999 renovation) (as Mike Minkler) | |
| Ken Rolls | .... | dubbing editor | |
| Hugh Strain | .... | dubbing mixer | |
| Andy Tait | .... | sound engineer: DTS, London (1999 renovation) | |
| Antal Kovacs | .... | dubbing editor (uncredited) | |
| Richard Partlow | .... | foley artist (uncredited) | |
| Doug Smith | .... | sound effects (uncredited) | |
Visual Effects by | |||
| Brian Begun | .... | digital artist: POP Film (1999 renovation) | |
| Chris Caunter | .... | special effects animator | |
| Charles Jenkins | .... | special sequences | |
| Greg Kimble | .... | image restoration supervisor (1999 renovation) | |
| Erika Offutt | .... | digital artist: POP Film (1999 renovation) | |
| Pat Repola | .... | digital imaging manager (1999 renovation) | |
| Jeremy Hume | .... | matte artist (uncredited) | |
Camera and Electrical Department | |||
| Alan Foster | .... | camera operator | |
| Tony Haines | .... | camera operator | |
| Ian Lett | .... | camera operator (as Ian Letts) | |
| Malcolm Livesey | .... | camera operator | |
| Rex Neville | .... | camera operator | |
| Graham Orrin | .... | camera operator | |
| Bev Roberts | .... | camera operator | |
| John Williams | .... | camera operator | |
| Richard Wodynski | .... | camera operator | |
| Malcolm Bubb | .... | camera operator (uncredited) | |
| Sheldon Elbourne | .... | camera operator (uncredited) | |
Animation Department | |||
| Jenny Aldridge | .... | background artist | |
| Ray Aragon | .... | layout artist | |
| Peter Arthy | .... | layout artist | |
| Alan Ball | .... | animator | |
| Robert Balser | .... | animation director | |
| Jenny Brisbane | .... | trace and paint supervisor | |
| Sue Brown | .... | trace and paint supervisor (as Susan Brown) | |
| Arthur Butten | .... | background artist (as Arthur Button) | |
| John Challis | .... | animator | |
| Hester Coblentz | .... | animator | |
| Geoff Collins | .... | animator | |
| Ian Cowan | .... | animation clean-up artist | |
| Rich Cox | .... | animator | |
| Duane Crowther | .... | animator | |
| Tony Cuthbert | .... | animator | |
| Malcolm Dakin | .... | background artist | |
| Richard Dalkins | .... | animation clean-up artist (as Richard Dalkin) | |
| Jack Daniels | .... | layout artist | |
| Alison De Vere | .... | background supervisor | |
| Malcolm Draper | .... | animator | |
| Paul Driessen | .... | animator | |
| David Elvin | .... | background artist | |
| Corona Esterhazy | .... | trace and paint supervisor (as Corona Maher) | |
| Cam Ford | .... | animator | |
| Paul Francis | .... | background artist | |
| Maggie Geddes | .... | trace and paint supervisor (as Margaret Geddes) | |
| Susan Gibbons | .... | trace and paint supervisor | |
| Ian Gordon | .... | background artist | |
| Caird Green | .... | background artist | |
| Claire Greenford | .... | background artist | |
| Alan Grey | .... | layout artist | |
| Tom Halley | .... | animator | |
| Gordon Harrison | .... | layout artist | |
| Dick Horn | .... | animator (as Dick Horne) | |
| Janet Hosie | .... | trace and paint supervisor | |
| Arthur Humberstone | .... | animator | |
| Dennis Hunt | .... | animator | |
| Dianne Jackson | .... | animator (as Diane Jackson) | |
| Muriel Jennings | .... | background artist | |
| Anne Jolliffe | .... | animator | |
| Helen Jones | .... | trace and paint supervisor | |
| Ted Lewis | .... | animation clean-up supervisor | |
| Dave Livesey | .... | animator | |
| Reg Lodge | .... | animator | |
| Geoff Loynes | .... | animator | |
| Milly McMillan | .... | background supervisor (as Millicent McMillan) | |
| Chris Miles | .... | animation clean-up artist (as Christopher Miles) | |
| Lawrence Moorcroft | .... | animator | |
| Ray Newman | .... | animation clean-up artist | |
| Ted Percival | .... | animator | |
| Ted Pettengell | .... | layout artist (as Ted Pettingal) | |
| Mike Pocock | .... | animator | |
| Gil Potter | .... | layout artist (as Gill Potter) | |
| Gerald Potterton | .... | animator (as Gerry Potterton) | |
| Edric Radage | .... | additional sequence director (as Edrich Radage) | |
| Martina Selway | .... | background artist | |
| Jack Stokes | .... | animation director | |
| Mike Stuart | .... | animator (as Mike Stewart) | |
| Robert Alvarez | .... | assistant animator (uncredited) | |
| Kimie Calvert | .... | assistant animator (uncredited) | |
| Norman Drew | .... | animator (uncredited) | |
| Jim Hiltz | .... | animator (uncredited) | |
| Mark Kausler | .... | assistant animator (uncredited) | |
| Terry Moesker | .... | animator (uncredited) | |
| Russ Mooney | .... | inbetween artist (uncredited) | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter (1999 renovation) | |
| Mike Stanwick | .... | color timer (1999 renovation) | |
| Torquil Stewart | .... | assistant editor | |
| Donovan Kosters | .... | dcp mastering (restored version) (uncredited) | |
Music Department | |||
| Peter Cobbin | .... | music mix engineer (1999 renovation) | |
| Geoff Emerick | .... | music recording engineer (1999 renovation) | |
| John Lennon | .... | song | |
| George Martin | .... | musical director | |
| Guy Massey | .... | music mix assistant (1999 renovation) | |
| Paul McCartney | .... | song | |
Other crew | |||
| Dennis Abey | .... | director: live action sequence | |
| Gareth Bowsher | .... | technical supervisor (1999 renovation) (as Gareth Boucher) | |
| Peter Franklin | .... | administrator | |
| Abe Goodman | .... | production coordinator | |
| Norman Kauffman | .... | administration assistant | |
| Sally Pardo | .... | production assistant (as Sally Hyman) | |
| Allan Rouse | .... | project coordinator (1999 renovation) | |
| Al Brodax | .... | director: live action sequence (uncredited) | |
| Renée Glynne | .... | continuity: live action (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb UK section |
The music of the Beatles had galvanized an army of very creative artists who have accomplished the impossible, and created the movie that parallels the elegance and beauty of the music that inspired it. Many people feel that this film is a miracle, and I have the same feeling, especially when I'm watching it breathlessly from the beginning to its end.
Similar to the way the Beatles themselves have created many of their masterpieces, this film is the result of a "controlled chaos". Lennon remarked that many of his imagery and lyrics were just conceived off the top of his head, which is precisely the thing that gives them the freshness and spontaneity we adore. Same is with the rich and fulfilling imagery of this film -- it is obviously an outcome of the 'shoot from the hip' approach. It sounds unbelievable, but the film's ending (the most brilliant piece of all), was thrown in during one hectic weekend! Knowing this, it is not surprising to learn that the principal artist who designed the look and feel of the "Yellow Submarine" movie, almost went blind after finishing it (he set a grueling schedule of sleeping only four hours every other night during the making of the film! -- it took him several years to regain his health)
On a personal level, this film works as some kind of revelation for me. It is impossible to put it into words, but the film stirs the deepest, most contradictory emotions in me. It transcends space and time, and has the ability to bring me into the state where the regular, everyday thoughts do not apply. In that respect, it is as strong as the best Beatles songs.
Many criticisms of this movie are sadly missing the point. To criticise the animation as being jerky and unrealistic amounts to criticising Picasso for not painting more photo-realistic canvases. Misses the point entirely. To criticise the understatement-laden dialogue is to miss the finer points of comedy, insisting on the Three Stooges slapstick only. To say that the story line is incoherent is to betray the sitcom-infested mind in the sad state of commercial-induced eating disorder.
I must confess that I had approached the viewing of this film with a huge dose of skepticism. I thought it's going to look and feel lame, with a dated and naive hippy/psychedelia cliches. Boy, was I in for a shock!
My rating: 11 out of 10