| Doris Day | ... | Abby McClure | |
| Brian Keith | ... | Jake Iverson | |
| Pat Carroll | ... | Maxine Scott | |
| Barbara Hershey | ... | Stacey Iverson | |
| George Carlin | ... | Herbie Fleck | |
| Alice Ghostley | ... | Molly | |
| John Findlater | ... | Flip McClure | |
| Elaine Devry | ... | Cleo Ruskin | |
| Herb Voland | ... | Harry Scott (as Herbert Voland) | |
| Jamie Farr | ... | Jo Jo | |
| William Christopher | ... | Zip (Cloud) | |
| Milton Frome | ... | Bud Young | |
| Allan Melvin | ... | Desk Sergeant | |
| Richard Steele | ... | Jason McClure | |
| Jimmy Bracken | ... | Mitch McClure | |
| Mickey Deems | ... | Sam Bates | |
| Jackie Joseph | ... | Georgia Watson | |
| Vic Tayback | ... | Truck Driver (as Victor Tayback) | |
| The Grassroots | ... | Themselves | |
| rest of cast listed alphabetically: | |||
| Jim Boles | ... | Pete (uncredited) | |
| John Copage | ... | Lumberyard Employee (uncredited) | |
| Norman Leavitt | ... | Executive (uncredited) | |
| Peter Leeds | ... | Police Officer Joelson (uncredited) | |
| Howard Morris | ... | Hippie in Police Station (uncredited) | |
| Ken Osmond | ... | Duke (uncredited) | |
| Maudie Prickett | ... | Party Guest (uncredited) | |
| Pearl Shear | ... | Laughing Lady (uncredited) | |
Directed by | |||
| Howard Morris | |||
Writing credits | ||
| Gwen Bagni | (screenplay) & | |
| Paul Dubov | (screenplay) and | |
| Harvey Bullock | (screenplay) & | |
| R.S. Allen | (screenplay) | |
| Gwen Bagni | (story) & | |
| Paul Dubov | (story) | |
Produced by | |||
| Martin Melcher | .... | producer | |
Original Music by | |||
| Robert Mersey | |||
Cinematography by | |||
| Ellsworth Fredericks | (director of photography) (as Ellsworth Fredricks) | ||
| Harry Stradling Jr. | (director of photography) | ||
Film Editing by | |||
| Adrienne Fazan | |||
Art Direction by | |||
| Cary Odell | |||
Set Decoration by | |||
| James L. Berkey | |||
Costume Design by | |||
| Constance Edney | |||
| Ray Summers | |||
Makeup Department | |||
| Armiene | .... | hair stylist | |
| Barbara Lampson | .... | hair stylist | |
| Harry Maret | .... | makeup artist | |
Production Management | |||
| Bud Grace | .... | unit manager | |
| Gilbert Kurland | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michael Daves | .... | second assistant director | |
| Bud Grace | .... | assistant director | |
Sound Department | |||
| Philip Mitchell | .... | sound mixer (as Philip Mitchell Sr.) | |
| James G. Stewart | .... | dubbing mixer | |
Stunts | |||
| Carol Daniels | .... | stunt double: Barbara Hershey | |
| Charlie Picerni | .... | stunts | |
Animation Department | |||
| Corny Cole | .... | animation director (uncredited) | |
| Bob Richardson | .... | animator: title animation (uncredited) | |
Costume and Wardrobe Department | |||
| Glenn Connelly | .... | costume designer: Miss Day | |
Music Department | |||
| Tommy Tedesco | .... | musician: guitar (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This fun family film came out just a few months after Henry Fonda and Lucy's "Yours, Mine and Ours". As a youngster, I liked the latter movie much better because it was FULL of kids (18 to be exact). Nowadays, that picture gives me a headache and I avoid it at all costs. "Eggroll" creates the same step-family tension and only utilizes 4 children. What a bargain! Besides that, Doris Day wafts through this sitcom like a spring daisy. She was probably in her mid-40s here (and in her last movie to date), but she's fresh and lively and funny in this film. I loved it when she spies Brian Keith in a go-go club with a young "chick" (his daughter) and says to Pat Carroll: "Why shouldn't he date her? Why take a bus when you can fly?" There are big laughs and some thoughtful scenes and I enjoyed them--until the final 15 minutes when the picture goes to hell in a handbasket. Into this semi-realistic brew of changing houses and learning to love comes hippies, bikers, a chicken-truck driver, and Brian Keith in his boxer shorts. It's a ridiculous turn of events, and almost mitigates the sweet nature of the main characters. Nothing can derail Doris, though: she's so grounded in reality that you buy every emotion, every double-take, every line of dialogue. She's one of Hollywood's most underrated actresses. This piece of fluff proves it. It may be "With Six You Get Eggroll", but DD plays it like it's "Love Me Or Leave Me". **1/2 from ****