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With Six You Get Eggroll (1968)

 -  Comedy | Drama | Family  -  7 August 1968 (USA)
6.3
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Ratings: 6.3/10 from 1,567 users  
Reviews: 17 user | 4 critic

Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teen-age daughter, get fixed up. They start dating and decide to get married. They're not prepared for the hostile ... See full summary »

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Title: With Six You Get Eggroll (1968)

With Six You Get Eggroll (1968) on IMDb 6.3/10

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Cast

Cast overview, first billed only:
...
...
...
...
...
Herbie Fleck
...
Molly
John Findlater ...
Flip McClure
Elaine Devry ...
Cleo
...
Harry Scott (as Herbert Voland)
...
Jo Jo
...
Zip - Cloud
Milton Frome ...
Bud Young
...
Desk Sergeant
Richard Steele ...
Jason McClure
Jimmy Bracken ...
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Storyline

Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teen-age daughter, get fixed up. They start dating and decide to get married. They're not prepared for the hostile reactions from their children, especially Jake's daughter Stacy, who wants to be the woman of the house, and Abby's oldest son Flip, who hates Jake. Written by Daniel Bubbeo <dbubbeo@cmp.com>

Plot Summary | Add Synopsis

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Keeping this family together isn't child's play! See more »


Certificate:

G | See all certifications »
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Details

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Release Date:

7 August 1968 (USA)  »

Also Known As:

A Man in Mommy's Bed  »

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Jamie Farr and William Christopher play supporting roles in this film as two hippie bikers. Five years before the two would co-star as 'Corporal Maxwell Q. Klinger' and 'Lt. Father Francis John Patrick Mulcahy' on M*A*S*H (1972). See more »

Goofs

In the scene in the nightclub, there's a mismatched cut of Doris. In a three-shot, she has her chin in her hand. When we cut immediately to a close-up, her hands are clasped together in front of her. See more »

Quotes

Abby McClure: [During a raucous party] If this wasn't my house I'd go home!
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Crazy Credits

The opening credits are animated in the style of a series of children's crayon drawings. The Art Director credit is misspelled, comically and deliberately as "ART DER," scratched out, misspelled again as "ART DUR," scratched out again, the entire page is crumpled, and the credit finally appears, correct and not animated, on the following screen. See more »


Soundtracks

Feelings
Written by R. Coonce, W. Entner, K. Fukomoto
Performed by The Grassroots
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User Reviews

 
Doris Day Goes Out in Style
31 July 2010 | by (Earth) – See all my reviews

Doris Day's last feature film is a pleasant success, although it somehow isn't recalled as a such. Backtracking for a moment… Ms. Day's 1960s "sex comedies" were very big at the box office. The best of these films were critically acclaimed at the time, and are fondly remembered today. But, by 1967, Day began receiving scripts that lacked the wit (and hit potential) of earlier films. Day knew this, but found herself committed to a few unworthy movies, by manager/husband Martin Melcher. They weren't the first "bad" movies Day did, but they did come at a time when she was a "superstar". Day was able to make these bad movies better through her presence; as usual, she put a good effort into each assignment.

By 1966, Day was firmly entrenched in the "Quigley Top 10" poll of box office stars, and had become a very dependable, consistent attraction. The films she didn't care for were responsible for Day falling out of the "Ten Best" list, in 1967. She saw "With Six You Get Eggroll" as an improvement. And, it was. Day's last films heralded a return to form; and, she appeared at a very respectable #14 in her final 1968 "Quigley Poll" appearance. It was a CBS-TV series deal that prevented Day from continuing her film career. She was in demand, and would have had to continue in films (she needed the money). But, Day was committed to work on the television series, against her wishes, by the now deceased Mr. Melcher.

Seeing the success of the earlier released Lucille Ball comedy "Yours, Mine and Ours" (1968), the studio promoted "With Six You Get Eggroll" as similar fare. Actually, this film is a little better, overall (both are good movies). Herein, lumber yard owner "Abby McClure" (Day) is resigned to being single, after being left with her deceased husband's business, and three sons. But, she is "lonely" (a euphemism), as director Howard Morris clearly highlights with the overhead shots of Day on her bed. Day reluctantly accepts self-professed sex-minded sister Pat Carroll's arrangement of a date with widow Brian Keith (as Jake Iverson). Their courtship is marvelously depicted, thanks to fine scripting and performances.

Some have debated whether or not the characters played by Day and Keith have pre-marital sex. Everything about in the characters' behavior suggests that they do. If fact, the biggest reason for the marriage is that they find it increasingly frustrating to "sneak around" and be "alone" (more euphemisms). The rest of the film deals with the inevitable problems the marriage causes in their living arrangements. Now, considering Day's business (which she's good at), you've got to wonder they didn't just build another bedroom for one of the children. Unfortunately, the business sense of Day's character is left standing at the alter. The plot question becomes: Will the children learn to get along, or break up the newlyweds?

Representing the opposing fronts are her son John Findlater (as Flip) and his daughter Barbara Hershey (as Stacy). Youngsters Jimmy Bracken and Richard Steele handle their roles (and surprising bathtub scene) very well. Sounding like a cross between "Under My Thumb" and The Zombies, The Grass Roots do an original, exceptional, and very sixties-sounding song called "Feelings"; listen to them as Day visits a youth nightclub. Stand-up George Carlin turns up as fast-food patron. Two future "M*A*S*H" regulars lead a mob of tripping hippies. And, you can have a lot of fun picking out sit-com favorites. By the third act, the film has become more unfocused and ordinary, but it never really obliterates its appeal.

******* With Six You Get Eggroll (8/7/68) Howard Morris ~ Doris Day, Brian Keith, John Findlater, Barbara Hershey


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