During the last winter of the Civil War, cavalry officer Amos Dundee leads a contentious troop of Army regulars, Confederate prisoners and scouts on an expedition into Mexico to destroy a ... See full summary »
In Shenandoah, Virginia, widower farmer Charlie Anderson lives a peaceful life with his six sons - Jacob, James, Nathan, John, Henry and Boy, his daughter Jennie, and his daughter-in-law ... See full summary »
Jim Douglas has been relentlessly pursuing the four outlaws who murdered his wife, but finds them in jail about to be hanged. While he waits to witness their execution, they escape; and the... See full summary »
When an army scout retires to a farm in New Mexico he takes pity on a white woman and her "half-breed" son recently rescued from Indians, and invites them to join him. He does this even ... See full summary »
Eva Marie Saint,
Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another. Written by
Feature film debut of Jon Gries. Billed as Jon Francis, it was never the original intention to cast the boy part of Horace (aka Button) with the director's son. According to a DVD Special Feature, Jon would be at the studio whilst the picture was in development. He would spend time playing until one day the film's producers invited him into the office. Later, they told the director they had found their boy for the part. See more »
When "preacher" Quint is shot in front of the line shack the rope attached to him to pull him backwards is very obvious and very noticeable. See more »
I knew'd a fellow once, his wagon team got away with him and run a wheel spoke right through his middle. Bled hisself out, right there. Don't you know how easy it was? It was like taking a little sleep under a shady tree, didn't hurt none at all. He just got kind of drowsy, and he just, well, he just dozed off. Well, sir, it ain't gonna be that easy for you. No, sir, not that easy.
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Will Penny is an absolutely superb film. I find no flaws in it. A story about rough men and hard times, its plot and characters stand on their own merits, not the cowboy setting. The scenery is perfect; the great west during a harsh winter after a long cattle drive. We feel like we are there.
The initial pace of the screenplay is slow and plodding. But this is intentional. It gives us a feel for the dreariness of a common cowboy's bleak life in the late 19th Century. Later the pace picks up.
Charlton Heston is convincing as a tired, aging, wrangler who really doesn't have much to show for his life. Joan Hackett is just plain enough looking to be real but attractive enough to become the love interest. A great actress, she passed away prematurely.
Donald Pleasence and Bruce Dern are frighteningly convincing as a homicidal religious zealot and his psychopathic son. They personify the cults of violent people that occupy the back recesses of society and only come out to work evil on the rest of us. These two are very scary.
Heston and Hackett's love is believable and so is the gun play. Yet there is no gratuitous sex or violence.
Will Penny is well produced and thoroughly entertaining.
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