In 2020, after the colonization of the moon, the spaceships Vega, Sirius and Capella are launched from Lunar Station 7. They are to explore Venus under the command of Professor Hartman, but... See full summary »
This film was Peter Bogdanovich's homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Meanwhile... See full summary »
This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a... See full summary »
In 1998, six months after the collision of a meteor and subsequent explosion of a rocket sent to Venus, the team composed by the astronauts Kern and Sherman with the robot John is launched to explore Venus. They arrive in the Space Station Texas for refueling but they have problems while landing in Venus. Without communication, another rocket is launched with Commander Brendan Lockhart, Andre Ferneau and Hans Walter to rescue the first team and explore the planet. They use a vehicle to seek Kern and Sherman, but they are attacked by a flying reptile. They kill the animal without knowing that it is worshiped and considered the God Terah by Venusians women that use their powerful connection with nature to destroy the invaders. Meanwhile John helps the two cosmonauts to survive in the hostile land. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The prologue voiceover refers to the Apollo Lunar Module as carrying three men to the lunar surface. While the Apollo Command Module had a three-man crew, the Lunar Module carried only two men to the surface. See more »
Probably one of the more haunting experiences and viewings as a child I remember because often it was aired at alternative times by it's previous venture, "Voyage to a Prehistoric Planet". I remember feeling confused as to the differences, but by far, "Voyage to the Planet of Prehistoric Women" presents the better use of the original Russian footage. The closing scenes with the women surrounding their "new god" the lava-destroyed robot, "John", are simply eerie in contrast to the previous scenes from the 1962 Russian film. The voice-over dialog by Mamie Van Doren, while "hokey" in parts, sets the mood perfectly. To appreciate this film for what it is, one needs simply to view it ALONE...in the quiet dead of night. It gets under your skin and stays there. One of the more noteworthy and curious (in my opinion), albeit "lessor known" of Corman's "cut and paste" classics.
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