During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she ... See full summary »
A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist ... See full summary »
A teenager called Noriko Shimabara runs away from her family in Tokoyama, to meet Kumiko, the leader of an Internet BBS, Haikyo.com. She becomes involved with Kumiko's "family circle", ... See full summary »
In Spain, the former Nazi doctor Klaus tries to commit suicide jumping off the roof of his manor. However, he survives with the entire body paralyzed and dependable of an iron lung with ... See full summary »
An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories. Written by
Fredrik Klasson <firstname.lastname@example.org>
"The Hour of the Wolf" is the hour between night and dawn. It is the hour when most people die. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful.
Ingmar Bergman originally penned the script in 1964 under the title "The Cannibals". A serious bout of pneumonia led him to reconsider the project whilst lying in hospital; he deemed it to be potentially too expensive in concept and execution. Bergman revised the script idea into a more low budget piece to accompany Persona (1966). See more »
This film is extremely delicate. It deals within that thin line between genius and madness, reality and imagination as one and the same thing. Artist Johan Borg is haunted by demons of both past and present. His wife Alma loves him so intimately that she is prepared to dive deep into his inner world, desperate to help him, shares in his hallucinations, which is great but futile in the long run to where he must go alone. To me Bergman, along with Tarkovsky and only a few others like Fellini deal so splendidly with our most inner selves, our conscious and subconscious as in 'The Hour of the Wolf'. Here as in Fellini's 'Juliet of the Spirits' that which is real and that which is not is hardly the point. What matters here is the stirrings of the soul, hence Borg's fear of the dark and lack of sleep until the day breaks and he can finally get some rest.
12 of 16 people found this review helpful.
Was this review helpful to you?