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An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories. Written by
Fredrik Klasson <firstname.lastname@example.org>
"The Hour of the Wolf" is the hour between night and dawn. It is the hour when most people die. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful.
Bergman defines "The Hour of the Wolf" as "The time between midnight and dawn when most people die, when sleep is deepest, when nightmares are most palatable. It is the hour when the sleepless are pursued by their sharpest anxieties, when ghosts and demons hold sway. The hour of the wolf is also the hour when most children are born." According to "Films in Review" critic Henry Hart in the U.S. it's about 4 a.m. when the body's resistance is least. See more »
Baron von Merkens:
You are yourself and yet, not yourself - the ideal state for an amorous encounter.
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This film is extremely delicate. It deals within that thin line between genius and madness, reality and imagination as one and the same thing. Artist Johan Borg is haunted by demons of both past and present. His wife Alma loves him so intimately that she is prepared to dive deep into his inner world, desperate to help him, shares in his hallucinations, which is great but futile in the long run to where he must go alone. To me Bergman, along with Tarkovsky and only a few others like Fellini deal so splendidly with our most inner selves, our conscious and subconscious as in 'The Hour of the Wolf'. Here as in Fellini's 'Juliet of the Spirits' that which is real and that which is not is hardly the point. What matters here is the stirrings of the soul, hence Borg's fear of the dark and lack of sleep until the day breaks and he can finally get some rest.
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