During a secretive business trip away, Mark learns that his wife Anna is growing restless in what he believed was their happy marriage. Upon his return home, he learns from her that she ... See full summary »
A teenager called Noriko Shimabara runs away from her family in Tokoyama, to meet Kumiko, the leader of an Internet BBS, Haikyo.com. She becomes involved with Kumiko's "family circle", ... See full summary »
A film director and a script writer (performed by Lars von Trier and Niels Vørsel themselves) write a screenplay, in which an epidemic spreads about the whole world. Like the protagonist ... See full summary »
Three key moments, all of them sensual, define Ana's life. Her carnal search sways between reality and colored fantasies becoming more and more oppressive. A black laced hand prevents her ... See full summary »
Charlotte Eugène Guibeaud,
An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories. Written by
Fredrik Klasson <email@example.com>
"The Hour of the Wolf" is the hour between night and dawn. It is the hour when most people die. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful.
Ingmar Bergman originally penned the script in 1964 under the title "The Cannibals". A serious bout of pneumonia led him to reconsider the project whilst lying in hospital; he deemed it to be potentially too expensive in concept and execution. Bergman revised the script idea into a more low budget piece to accompany Persona (1966). See more »
I don't know why I'm so fascinated with Ingmar Bergman. When I was in college, I went to a film society screening of this film. I hadn't seen Wild Strawberries or The Seventh Seal at the time and this was a real mind blower. There are all those shades of darkness. There are those depressed looking people, haunted by those personal demons. There is Bergman's island, so lonely, so cold. The other inhabitants always seem so threatening. The artist, writing about affairs, assaults, murder, and we don't know whether any of it is true. I suffer through the party with all those pretentious people and their angst. This party is only eclipsed by the one in Alice in Wonderland . The people are truly beasts. Bergman is about bad dreams. The camera pulls us through our deepest fears and dumps us in that dark, evil swamp. I know this is often seen as one of his minor films, but his getting ready to meet his former lover, putting on that makeup to look younger and recapture his past virility, is so gut wrenching. This is a depressed feast for the eyes and it puts mental illness into corporeal form.
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