Senator Pupis feels a strong and uncontrollable urge to grab women's bottoms, a habit than can lead to embarrassment, especially if the woman in question is head of another state and the ... See full summary »
Florentine is a young, beautiful and passionate woman with a desire for love. Feeling abandoned by her husband's impotency, she searches for outside affection and seduction within brief, ... See full summary »
Luigi is engaged to Cinzia, he has a good job and his life runs quietly. But unexpectedly his cousin Sonia knocks at his door. She lived in Venezuela with her parents but they have ... See full summary »
The beautiful O is taken by her boyfriend, Rene, to a bizarre retreat, where she is trained in bondage and sexual perversion. Rene discharges a personal debt by transferring possession of O... See full summary »
To begin with, I do not consider myself a fan of Italian sexploitationer Brass; however, having enjoyed a couple of his atypical earlier work the Spaghetti Western YANKEE (1966) and the pop-art giallo DEADLY SWEET (1967) I expected more of the same to be of comparable quality (for the record, I have three others still to check out from this vintage). Anyway, I was deeply disappointed by the film under review especially after reading it was deemed surreal (in retrospect, it is much closer to the style of fellow Italian Federico Fellini or Alejandro Jodorowsky, whose brand of weird I particularly deplore, rather than that of my all-time favorite Luis Bunuel). Well, bizarre (and virtually plot less) it certainly is but, as to engaging, quite the opposite making for an annoying and downright repellent experience! Just about its sole saving grace, in fact, is the hauntingly beautiful presence of leading lady Tina Aumont: she, a bolting bride, and popular Italian comic Gigi Proietti are the 'heroes' who go from one wild encounter to another notably an orgy, a cannibal family and a city under siege (from what I can recall, since the film has already started to fade from my memory, within the space of just one week!); an inspired self-referential moment even has the central couple literally running into Jean-Louis Trintignant, protagonist of DEADLY SWEET!
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