Hossien stars as a leather-clad killer, drawn into a tragic kidnap/murder plot by his former flame Michelle Mercier. An almost totally visual film with perhaps not more than two dozen lines... See full summary »
Hossien stars as a leather-clad killer, drawn into a tragic kidnap/murder plot by his former flame Michelle Mercier. An almost totally visual film with perhaps not more than two dozen lines of dialogue. Written by
This is a very good eurowestern that will have you in its grip from start to finish.
It is beautifully filmed with lots of desolate wide open desert, and impressive mountain scenery. The film has a feeling of loneliness as much of it takes place in a deserted ghost town which has apparently become the home of the protagonist.
The movie is populated with bitter characters that are primarily motivated by revenge. There are no happy endings here. This definitely wasn't "the feel good movie of the year," which is a good thing. The female lead is a beautiful woman in black with little left to live for other than seeing her husband's killers pay for his death. Her relationship with Manuel, the man she goes to for help with her plan, is a very intriguing one. This is because we are left to wonder what their history is until close to the end of the film when it is finally revealed.
The music score is excellent. The opening/closing theme is a great spaghetti western ballad with vocals. The music during the film is mostly guitar designed to create feelings of suspense and sadness. There's also a touch of organ thrown in for good measure. It all works wonderfully with the film.
This is a high-quality spaghetti western that is riveting and entertaining. I highly recommend this one. If you get the chance to see it, don't pass it up.
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