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The Thomas Crown Affair (1968)

 -  Crime | Drama | Romance  -  19 June 1968 (USA)
7.0
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Ratings: 7.0/10 from 14,191 users  
Reviews: 125 user | 50 critic

A debonair, adventuresome bank executive believes he has pulled off the perfect multi-million dollar heist, only to match wits with a sexy insurance investigator who will do anything to get her man.

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Cast

Cast overview, first billed only:
...
...
Paul Burke ...
...
Biff McGuire ...
Sandy
Addison Powell ...
Abe
Astrid Heeren ...
Gwen
...
Jamie
...
Sidney Armus ...
Arnie
...
Booth Guard
...
Honey
Patrick Horgan ...
Danny
Carol Corbett ...
Miss Sullivan
Tom Rosqui ...
Pvt. Detective
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Storyline

Four men pull off a daring daytime robbery at a bank, dump the money in a trash can and go their separate ways. Thomas Crown, a successful, wealthy businessman pulls up in his Rolls and collects it. Vickie Anderson, an independent insurance investigator is called in to recover the huge haul. She begins to examine the people who knew enough about the bank to have pulled the robbery and discovers Crown. She begins a tight watch on his every move and begins seeing him socially. How does the planner of the perfect crime react to pressure? Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

He was young, handsome, a millionaire - and he'd just pulled off the perfect crime! She was young, beautiful, a super sleuth - sent to investigate it!


Certificate:

TV-14 | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

19 June 1968 (USA)  »

Also Known As:

The Crown Caper  »

Box Office

Budget:

$4,300,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

In the movie, the Ferrari driven by Faye Dunaway and being referred to as "one of those red Italian things" is actually the first of only ten Ferrari 275 GTS Spyder NART, serial number 09437. This particular car came second in its class in the 1968 12 hour of Sebring before being repainted and used for the movie. Steve McQueen liked the car so much, he wanted one for himself. He eventually ended up with serial number 10453. That car is today with collector Anthony Wang in NY, USA. See more »

Goofs

During the robbery several revolvers have silencers. A Silencer will not work on a revolver. See more »

Quotes

Thomas Crown: What a funny, dirty little mind!
Vicki Anderson: It's a funny, dirty little job! So shoot me in the leg!
See more »

Connections

Featured in Tell Them Who You Are (2004) See more »

Soundtracks

The Windmills Of Your Mind
Sung by Noel Harrison
Lyrics by Alan Bergman & Marilyn Bergman
Music by Michel Legrand
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Favored over the remake
29 September 2003 | by (Palm Springs, Calif.) – See all my reviews

The large number of reviews tossing this in the trash bin as an overwrought 1960s period piece, or inferior when compared to the Pierce Brosnan/Rene Russo remake caused me to find the DVD and take another look.

The problem with the 1967 film is that, unlike most films made today (including the remake), viewers need to think and connect the dots; and, there isn't always a "right" ending with all details neat and tidy. This is still a classic of the caper films, with McQueen giving the definitive performance of his absolute-cool image, and Dunaway as the Joan Crawford of the Virginia Slims generation.

The then-innovative parts of the film, including the multiple split screens and the repetition of the theme song with Noel Harrison look dated (and the split-screen is only effective on the big, big screens of the 1960s-era theaters), but the chess game is still the most-seductive bit of film where all the clothes stay on and nobody talks.

Listening to director Norman Jewison's commentary on the DVD is enlightening. The split screens were indeed a timely gimmick (Jewison and the producer saw the technique at Expo '67 in Montreal), and his explanation of the last scene in the cemetery gives a good insight as to how he aimed the film in general.


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