Almost in breadth and depth of a documentary, this movie depicts an auto race during the 70s on the world's hardest endurance course: Le Mans in France. The race goes over 24 hours on 14.5 ... See full summary »
Lee H. Katzin
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the ... See full summary »
Engineer Jake Holman arrives aboard the gunboat U.S.S. San Pablo, assigned to patrol a tributary of the Yangtze in the middle of exploited and revolution-torn 1926 China. His iconoclasm and... See full summary »
Buzz Rickson is a dare-devil World War II bomber pilot with a death wish. Failing at everything not involving flying, Rickson lives for the most dangerous missions. His crew lives with this... See full summary »
Shirley Anne Field
Four men pull off a daring daytime robbery at a bank, dump the money in a trash can and go their separate ways. Thomas Crown, a successful, wealthy businessman pulls up in his Rolls and collects it. Vickie Anderson, an independent insurance investigator is called in to recover the huge haul. She begins to examine the people who knew enough about the bank to have pulled the robbery and discovers Crown. She begins a tight watch on his every move and begins seeing him socially. How does the planner of the perfect crime react to pressure? Written by
John Vogel <firstname.lastname@example.org>
In the movie, the Ferrari driven by Faye Dunaway and being referred to as "one of those red Italian things" is actually the first of only ten Ferrari 275 GTS Spyder NART, serial number 09437. This particular car came second in its class in the 1968 12 hour of Sebring before being repainted and used for the movie. Steve McQueen liked the car so much, he wanted one for himself. He eventually ended up with serial number 10453. That car is today with collector Anthony Wang in NY, USA. See more »
The PA system at the polo game announced the "end of the first period." The divisions of a polo match are never called anything but "chukkars." See more »
Left early. Please come with the money... or, you keep the car. All my love, Tommy.
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An Excellent Movie Even If Out of Character for McQueen
I cannot think of anything that I did not like about the TCA. I read some of the other reviews, and I can understand why they might come to their conclusions to the contrary.
First, McQueen does look a little out of character being a financier, but as in most of his other roles, he is in control of the situation. He plays the loner outside of the situation and/or system. Even the women that came into his arms are issued temporary visa only as shown by Faye Dunaway left holding the bag at the end of the movie. He played her like a violin.
Someone mentioned that they hated the multiple shots used in several scenes, and that it was overused and probably pointless. I completely disagree. I think that it adds dimension and excitement when it used. During the robbery, the viewer can witness several aspects of the caper as it unfolds. The polo shots were fantastic and exciting.
To me McQueen was a bit of a mystery. What did he really want? "Kicks" as suggested by Paul Burke the police investigator? He told Faye Dunaway that it was he against the system, which leaves me a little less than satisfied. He certainly seemed to be bored. Everything came to him too easily.
Faye Dunaway started out great with the pitbull attitude toward reclaiming the money for the insurance reward. I liked the repartee at the initial meeting with McQueen at the art auction. I felt she showed weakness at their first dinner meeting when McQueen accused her of having a "funny, dirty little mind". The surveillance, "replacing the carpet" in his mansion and IRS audits forever were good blows she landed. McQueen always seemed to be one step ahead. Even before the last robbery when he said he had to know where she stood, I think he already was on the plane to Europe without her. For Faye, it was a lose-lose situation. Whether she ever was really in love with him or not, she got far to close to draw the line.
The chess scene in McQueen's den was probably the sexiest scene I have ever witnessed. Everything occurred in the viewer's mind -- no nudity or anything more than kiss on screen.
This movie was wonderful, a very good look at a refreshing look at the 60s with wealth and power. Even cigarette smoking had not become a pariah.
PS: I saw the Pierce Brosnan version of TCA, and it was zero in my estimation, and that was with the nudity. Don't waste your time on it.
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