The Mexican guerilla leader Tepepa and his gang fight against the chief of police, Cascorro.

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(screenplay), (story) | 3 more credits »
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Cast

Cast overview, first billed only:
...
Jesus Maria Moran a.k.a. Tepepa
...
Colonel Cascorro
...
Doctor Henry Price
José Torres ...
Pedro Pereira / El Piojo
Luciano Casamonica ...
Paquito
Annamaria Lanciaprima
Paloma Cela ...
Consuelo
Clara Colosimo ...
Sergeant's wife
Rafael Hernández ...
Francisco
Giancarlo Badessi ...
Sergeant
Ángel Ortiz ...
Urelio
Lina Franchi
Armando Casamonica
Mario Daddi
Paola Natale
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Storyline

In Mexico, at the beginning of the twentieth century, a man is to be executed by Cascorro's men. Doctor Henry Price, en Englishman, arrives in his car and saves him. The nickname of the man is Tepepa and he was a hero of the Revolution. Tepepa asks doctor Price way he saved him and the answer is chilly: to have the pleasure to kill him himself. And he aims his gun at him. Written by Baldinotto da Pistoia

Plot Summary | Add Synopsis

Taglines:

Jails can't hold him! Armies can't stop him! Women can't get enough of him!


Certificate:

R | See all certifications »
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Details

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Release Date:

November 1979 (USA)  »

Also Known As:

Blood and Guns  »

Filming Locations:

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Company Credits

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Technical Specs

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Director Giulio Petroni claimed that the atmosphere on the set was "terrible," and that Orson Welles called Milian (who idolized Welles) a "dirty Cuban". See more »

Goofs

After Tepepa blows up their wagon, he fires at the Mexican troops on the ground with his Mauser C96. The model he uses is a standard ten round integral magazine version. He clearly fires more than ten rounds, without reloading. In fact the gun is never reloaded throughout the entire movie. See more »

Connections

Referenced in Ti piace Hitchcock? (2005) See more »

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User Reviews

 
Zapata Western set in Mexican revolution with clever and thought-provoking script by Franco Solinas , being well directed by Giulio Petroni
23 October 2010 | by (Santander Spain) – See all my reviews

The movie centers on a Mexican revolutionary nicknamed Tepepa (a likable Tomas Milian) who joins forces an outlaw band during the Mexican revolutionary war by time of the president Madero (played by a Spaghetti usual secondary , Francisco Sanz) . The Mexican guerrilla leader Tepepa wielding his Mauser gun and his gang fight against colonel Cascorro (special appearance of Orson Welles). When illiterate Tepepa is about to be executed , there appears a serious and smooth-talking British doctor named Henry Price (the blond John Steiner) and saves him from a firing squad . Later on , starring duo , Milian-Steiner , undergo a strange relation of friendship and hatred . But someone prepares a relentless vendetta on a surprising final .

It's a magnificent western film with dazzling shootouts between the protagonists and the contenders . This film belongs to the numerous group that are set during the Mexican revolution , called ¨Zapata Western sub-genre¨ , like are the Italian ones : ¨ Duck you sucker¨ ,¨Compañeros¨ , ¨The mercenary ¨ and the Americans : ¨The wild bunch and ¨The professionals¨. ¨Tepepa¨ results to be the swan-song of this sub-genre . The picture blends violence , western action , plot twists and shoot'em up with high body-count . ¨Tepepa¨ is fast movement and that's why it is entertaining ; besides , there is thoughtful dialog with an intelligent writing by Franco Solinas , an author of communist ideology who wrote political screenplays such classics as ¨The battle of Argel¨ and ¨I'm the Revolution¨ , the latter bears remarkable resemblance on some issues to ¨Tepepa¨ . The Cuban Tomas Milian , as usual , puts faces , grimaces , crying and overacting , but he plays splendidly in a similar character to ¨Cuchillo¨ from the trilogy directed by Sergio Sollima . Tomas created his own image and propelled himself to stardom in likewise fashion with such important Spaghetti movies as The Bounty Killer (1966) , The Big Gundown (1967) with Lee Van Cleef , Face to Face (1967) , Django Kill! (1967) and Run, Man, Run (1968).

Enjoyable score by the great maestro composer Ennio Morricone who composed lots of Spaghetti Western scores , it contains a sensitive musical leitmotif . There are many fine technicians and nice assistants as the splendid cameraman Francisco Marin who makes an atmospheric photography , including barren outdoors , dirty landscapes under a glimmer sun , being shot , of course , on location in Almeria , Spain . However , being necessary and perfect remastering because of the original copy is worn-out . The motion picture was well directed by Giulio Petroni who filmed another classic Italian western as ¨Death rides a horse¨ , though also shot other inferior but acceptable Spaghettis as ¨Night of serpent¨ and ¨A sky full of stars for a roof¨. Rating : Above average S.W. , worthwhile seeing .


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