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Teorema (1968)

7.2
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Ratings: 7.2/10 from 6,483 users  
Reviews: 58 user | 57 critic

A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can ... See full summary »

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(novel), (screenplay)
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Title: Teorema (1968)

Teorema (1968) on IMDb 7.2/10

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Cast

Complete credited cast:
...
Lucia, the mother
...
...
Paolo, the father
...
Odetta, the daughter
Laura Betti ...
Emilia, the servant
Andrés José Cruz Soublette ...
Pietro, the son
...
Angelino - the Messenger
Carlo De Mejo ...
Boy
Adele Cambria ...
Emilia - the second servant
Luigi Barbini ...
Boy at the station
Giovanni Ivan Scratuglia ...
Second boy (as Ivan Scratuglia)
Alfonso Gatto ...
Doctor
Edit

Storyline

A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can continue living as they did. Who was that visitor ? Could he be God ? Written by Yepok

Plot Summary | Add Synopsis

Taglines:

There are only 923 words spoken in "Teorema" - but it says everything!

Genres:

Drama | Mystery

Certificate:

See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

7 September 1968 (Italy)  »

Also Known As:

Teorema  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cinema release) (1971)

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Second part of Pier Paolo Pasolini's "Mythical Cycle" also including Oedipus Rex (1967), Porcile (1969) and Medea (1969). See more »

Quotes

Lucia, the mother: Who is that boy?
See more »

Connections

Referenced in Women in Film (2001) See more »

Soundtracks

Tears for Dolphy
by Ted Curson
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

There's something haunting about "Teorema"...
7 August 2009 | by (Los Angeles, CA) – See all my reviews

"There are only 923 words spoken in "Teorema" - but it says everything!", brags the tagline. It makes some sense, since Pasolini's film feels like a rhythmic visual poem with scattered dialogue. "Teorema" looks and feels like a haunting silent film integrated with sparse dialogue - failed attempts of communication and change among the characters.

A beautiful and enigmatic visitor (a young Terence Stamp, one of the intriguing, almost androgynous cult sex figures of the 60's, along the lines of a Udo Kier and others) seduces and then leaves each member of a bourgeois family. The father (Massimo Girotti, of Visconti's "Ossessione"), the mother (Silvana Mangano, "Death in Venice"), the daughter (Anne Wiazemsky, of Bresson's "Au Hasard Balthazar" and Godard's then wife), the son (Andrés José Cruz Soublette) and even the housemaid (Laura Betti, best actress at the Venice Film Festival for this performance) are all altered by the visitor's sexual presence in their lives, and each will try to find salvation or catharsis once they're abandoned. Their ways can be seen as an allegory of the fears and misconceptions of those trapped in their own conventions, and the tragic consequences of their failed attempts to get away - after the visitor, an hedonistic angel of death, tricked them with false hopes of sexual and emotional liberation. At least, that's how I see it - which I wouldn't dare to claim as an ultimate view on it. As enigmatic and haunting the images in "Teorema" are, they ask for repeated viewings. And just the fact that they give you enough interest for a second look, it's quite a feat. An interesting, cerebral cinematic exercise, to say the least. 8.5/10.


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