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Teorema (1968)

A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can ... See full summary »

Writer:

(screenplay)
Reviews
1 win & 4 nominations. See more awards »
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Cast

Complete credited cast:
...
Lucia, the mother
...
...
Paolo, the father
...
Odetta, the daughter
...
Emilia, the servant
Andrés José Cruz Soublette ...
Pietro, the son
...
Angelino - the Messenger
Carlo De Mejo ...
Boy
Adele Cambria ...
Emilia - the second servant
Luigi Barbini ...
Boy at the station
Giovanni Ivan Scratuglia ...
Second boy (as Ivan Scratuglia)
Alfonso Gatto ...
Doctor
Edit

Storyline

A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can continue living as they did. Who was that visitor ? Could he be God ? Written by Yepok

Plot Summary | Add Synopsis

Taglines:

There are only 923 words spoken in "Teorema" - but it says everything!

Genres:

Drama | Mystery

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

27 November 1968 (West Germany)  »

Also Known As:

Teorema  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cinema release) (1971)

Sound Mix:

(Westrex Recording System)

Color:

| (Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Second part of Pier Paolo Pasolini's "Mythical Cycle" also including Oedipus Rex (1967), Porcile (1969) and Medea (1969). See more »

Quotes

Lucia, the mother: Who is that boy?
See more »

Connections

Referenced in Women in Film (2001) See more »

Soundtracks

L'Ultima Corrida
Written and arranged by Ennio Morricone
Orchestra accompanied by I Cantori Moderni di Alessandro Alessandroni
Conducted by Bruno Nicolai
See more »

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User Reviews

Strange Metaphoric Movie
14 July 2002 | by (California) – See all my reviews

Pier Pasolini creates a surrealistic, dreamy mood in the story of a stranger who proves to be a life-changing catalyst for an entire family. The stranger doesn't say much, but he really doesn't have to. The beautiful male visitor is played by Terence Stamp, at the height of his striking good looks. He manages to seduce the entire family, and functions as a miraculous religious figure in the process. The sexuality is really of the gay male variety, but the women of the family manage to "beard" the total extent of Pasolini's intentions. The film also serves as a criticism of post-war industrialized Italy and its depersonalizing cultural destruction. Lots of haunting imagery. Also, it's one of Pasolini's more "watchable" films. Nothing too disturbing here in comparison to some of his other movies.


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