The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's ... See full summary »
Jealousy and hatred is what separates the Pandava and Kaurava. The Kaurava fear the Pandava are after the throne of their father. Yudhishthira of the Pandava gets told by the deity Krishna that he will become king. A war is inevitable.
Elegant and educated bachelor, Charles Swann, moves in the most powerful and fashionable circles of Paris in the 1890's. When he falls in love with Odette de Crecy, a courtesan, his friends... See full summary »
Updated to 1970s London, this faithful adaptation of Herman Melville's classic follows a young accounting clerk rebelling against his employer by responding to demands to do work by saying,... See full summary »
Ilario, a retired engineer who used to have a busy life in Northern Italy, is urged by his wife Irma to move to a secluded farm in Maremma, a remote part of Tuscany. Here he discovers her ... See full summary »
This is a fine film. A drama-documentary, which takes a telling if narrow snapshot of London at the height of the Vietnam war. This is fascinating and useful insight into one section of British thinking. Coming as it does from the perspective of noted theatre director Peter Brooke and his band of Royal Shakespeare Company players, the views expressed here are authentically vexed, complex and multi-layered.
Many scenarios are authored and staged by Brooke and the cast which illustrate the diversity of anti-war opinion that existed among London's artistic and intellectual communities. However, this is no Swinging London post-card fantasy. The opinions expressed here are raw, heartfelt and honestly confused - much like the war itself.
One is left with the impression that those who occupied London's and indeed Britain's cultural high ground were feeling a sense of moral impotence and torment in the face of war's terrible realities. At the end of 'Tell Me Lies', the question of what price should be paid to fight a 'moral' conflict is left unanswered. Instead, we are left with a reminder that art and politics can offer no easy solutions to the legacy of war with its landscapes of broken bodies and destroyed lives.
5 of 6 people found this review helpful.
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