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Roger Corman told Peter Bogdanovich he could make any film he wanted to, with two conditions: he had to use stock footage from The Terror, and he had to hire Boris Karloff for two days (Karloff was under contract and owed Corman those two days). Karloff was so impressed with the script that he refused pay for any shooting time over his contracted two days. He worked for a total of five days on the movie.
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Randy Quaid's film debut.
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Frank Marshall's parents and then-girlfriend appear as film-goers at the drive-in scenes. The film's dolly grip also appears, as the father shot, to the horror of his son who is sitting next to him in one of the cars.
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Drive-in scenes were shot at the since-closed Reseda Drive-In Theatre in Reseda, CA, as clearly shown on the marquee and screen tower. Early in the movie, the Sepulveda Drive-In in Van Nuys is briefly shown in the background as Bobby drives down the highway. On the DVD commentary, Peter Bogdanovich incorrectly credits this as being the Reseda Drive-In.
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Peter Bogdanovich planned to have Boris Karloff actually appear in the film for about 20 minutes with two days of filming, and have the stock footage from The Terror add another 20 minutes of screen time for Karloff. In the final movie, Karloff is actually on screen (not counting the scenes from "The Terror") for about 30 minutes and shot all his scenes in five days.
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Peter Bogdanovich named his own character "Sammy Michaels" after Samuel Fuller (whose middle name is "Michael") in gratitude for the work Fuller did on the script.
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In the beginning credits of the movie, it states, "Radio music supplied by Charles Greene and Brian Stone". The music that they used was "Green Rocky Road", performed by the band "The Daily Flash", which Greene and Stone managed.
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By the time this film was made, 80-year-old Boris Karloff was in very poor health with emphysema along with rheumatoid arthritis, and had only one-half of one lung left and spent the time between takes in a wheelchair with an oxygen mask on. He also had braces on both legs, and had difficulty standing or walking without his cane; the weakness of his legs is visible in some scenes.
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The story Orlock tells of the servant fleeing death is W. Somerset Maugham's short story "The Appointment in Samarra."
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When film cameras, which run at 24 frames per second, film directly off the screen of US televisions, which run at 30 fps, the result is a dark or light bar across the image, rolling from top to bottom. To avoid this effect in the scene when Sammy and Orlok are watching The Criminal Code, in most shots a film picture was matted in over the TV screen, giving a steady picture with no bar. However, according to Peter Bogdanovich's DVD commentary, they couldn't afford to use a matte for the establishing shot for the scene, which pans across the TV's screen, so the bar appears in that shot and only that shot (in Europe, where the TV frame rate is 25 fps, often they simply run the film camera at 25 fps also, for shots with a TV picture in them).
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Shot in 22 days and completed in December 1967 (copyright 1967). Due to its controversial nature, Paramount only released it after inserting a written prologue denouncing gun violence. Fortunately, Boris Karloff lived long enough to view the completed film as well as enjoy the accolades he deserved for his performance.
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Aside from background music played on a car radio, there is no musical soundtrack for the movie.
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According to Peter Bogdanovich's introduction to the film on the DVD, the scene in which Sammy wakes up with a hangover and is jolted when the first thing he sees is Byron Orlok originally called for him to laugh at himself, but he couldn't manage it. Boris Karloff suggested the bit that is actually used in the film - and ad-libbed Orlof's start when he unexpectedly confronts himself in a mirror, as well.
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Voices of Joey Bishop and announcer Regis Philbin can be heard in background, excerpted from Bishop's late night ABC TV talk show of late Sixties.
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When Bobby writes out the check to buy the sniper rifle, he writes the check out to Boris Karloff.
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The sequence with Bobby Thompson shooting people in cars driving on a freeway from the top of an oil storage tank was loosely inspired by the Highway 101 sniper attack where on April 25, 1965, a 16-year-old alienated youth, named Michael Andrew Clark, shot at motorists from a hilltop along Highway 101 just south of Orcutt, California, killing three and injuring 10 others before committing suicide. Prior to the shooting spree, Clark left behind a note vowing to make his parents "die a thousand times in court" for his actions, and he was right; a lawsuit was brought against Clark's parents by two of the victim's families for mistreating and not raising their son well, and negligence for allowing Clark access to the hunting rifle used for the shooting spree.
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The sets for Bobby Thompson's home and for Orloc's hotel room are the same set pieces, with some redressing and a new paint job.
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The sniping scene at the oil tank was shot without a sound technician. All the noises were added in post.
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