This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a... See full summary »
The summer of 1984: 32 years after Duane Jackson captained the high school football team and Jacy Farrow was homecoming queen, the small town of Anarene, Texas prepares for its bicentennial... See full summary »
This film was Peter Bogdanovich's homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Meanwhile... See full summary »
Called up for jury duty, Richard Dice finds his first crush and only real, but unrequited love, on trial for murder. Richard desperately tries to prove Mollys innocence while untangling a ... See full summary »
Byron Orlok is an old horror-movie star who feels that he is an anachronism. Compared to real-life violence, his films are tame. Meanwhile, Bobby Thompson goes on a killing spree... Written by
Gary Couzens <email@example.com>
(at around 1h 14 mins) When Orlock's car pulls up to the drive-in ticket booth...the clock says 9:10. After talking with the two fellows at the booth for a minute or so...the car pulls away and the clock says 9:00. See more »
Roger Corman explains in his autobiography that he handed this "spec" project to the up-and-coming Bogdanovich primarily because he could basically pay the kid peanuts. Bogdanovich understood Corman's economic sensibilities well, and cut as many corners as he could. He uses Cormans regular bit-players as well as plenty of Jack Nicholson footage from 1963's "The Terror" - another Corman B-movie. Corman's specifications for the film were simple: make a cheap film referring to the recent Charles Whitman shootings at the University of Texas, and make it fast. The script draws heavily from the real-life Whitman story; the all-American boy gone bad kills his wife and mother, and then proceeds on a killing spree, shooting anyone in his sights from a snipers nest. This story is intertwined with that of Byron Orlocks ageing horror legend nearing retirement; here Boris Karloff plays himself, for all intents and purposes. Bogdanovich plays a major role in the film himself, and there is obvious affection between the young director and Karloff in the scenes they share. Although Bogdanovich's wife Polly Platt takes a screenwriting credit, it is often said that her role was actually more of a partner in all Bogdanovich's early work, collaborating and counter-balancing his excesses. There is probably a lot of truth to this theory, as after the couple separated Bogdanovich's suffered a deep decline. I had read much of the history of `Targets' in Peter Biskind's `Easy Riders - Raging Bulls' and Corman's own `How I Made a Hundred Movies in Hollywood and Never Lost a Dime', and have been lucky enough to catch it twice on cable in the last week. It really is a very competent debut, and Bogdanovich truly makes the most of what humble resources he had at his disposal. See it.
53 of 67 people found this review helpful.
Was this review helpful to you?