Compelling character study, revolving around Jack Flowers (Ben Gazzara), an American hustler trying to make his fortune in 1970s Singapore in small time pimping. He dreams of building a ... See full summary »
This film was Peter Bogdanovich's homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Meanwhile... See full summary »
This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a... See full summary »
Called up for jury duty, Richard Dice finds his first crush and only real, but unrequited love, on trial for murder. Richard desperately tries to prove Mollys innocence while untangling a ... See full summary »
Summer, 1984: 30 years after Duane captained the high school football team and Jacy was homecoming queen, this Texas town near Wichita Falls prepares for its centennial. Oil prices are down... See full summary »
In the European village of Gudenberg in 1890, Prof. Mayer and his assistant Isabel have created a powerful ray machine. One of the powerful rays is shot into space and attracts a flying ... See full summary »
Byron Orlok is an old horror-movie star who feels that he is an anachronism. Compared to real-life violence, his films are tame. Meanwhile, Bobby Thompson goes on a killing spree... Written by
Gary Couzens <firstname.lastname@example.org>
The sequence with Bobby Thompson shooting people in cars driving on a freeway from the top of an oil storage tank was loosely inspired by the Highway 101 sniper attack where on April 25, 1965, a 16-year-old alienated youth, named Michael Andrew Clark, shot at motorists from a hilltop along Highway 101 just south of Orcutt, California, killing three and injuring 10 others before committing suicide. Prior to the shooting spree, Clark left behind a note vowing to make his parents "die a thousand times in court" for his actions, and he was right; a lawsuit was brought against Clark's parents by two of the victim's families for mistreating and not raising their son well, and negligence for allowing Clark access to the hunting rifle used for the shooting spree. See more »
(at around 39 mins) As Bobby drags his mother's body to her bedroom, a camera shadow can be clearly seen moving up the wall and door to the left. See more »
Oh, Sammy, what's the use? Mr. Boogey Man, King of Blood they used to call me. Marx Brothers make you laugh, Garbo makes you weep, Orlok makes you scream.
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Roger Corman explains in his autobiography that he handed this "spec" project to the up-and-coming Bogdanovich primarily because he could basically pay the kid peanuts. Bogdanovich understood Corman's economic sensibilities well, and cut as many corners as he could. He uses Cormans regular bit-players as well as plenty of Jack Nicholson footage from 1963's "The Terror" - another Corman B-movie. Corman's specifications for the film were simple: make a cheap film referring to the recent Charles Whitman shootings at the University of Texas, and make it fast. The script draws heavily from the real-life Whitman story; the all-American boy gone bad kills his wife and mother, and then proceeds on a killing spree, shooting anyone in his sights from a snipers nest. This story is intertwined with that of Byron Orlocks ageing horror legend nearing retirement; here Boris Karloff plays himself, for all intents and purposes. Bogdanovich plays a major role in the film himself, and there is obvious affection between the young director and Karloff in the scenes they share. Although Bogdanovich's wife Polly Platt takes a screenwriting credit, it is often said that her role was actually more of a partner in all Bogdanovich's early work, collaborating and counter-balancing his excesses. There is probably a lot of truth to this theory, as after the couple separated Bogdanovich's suffered a deep decline. I had read much of the history of `Targets' in Peter Biskind's `Easy Riders - Raging Bulls' and Corman's own `How I Made a Hundred Movies in Hollywood and Never Lost a Dime', and have been lucky enough to catch it twice on cable in the last week. It really is a very competent debut, and Bogdanovich truly makes the most of what humble resources he had at his disposal. See it.
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