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Targets (1968)

7.5
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Ratings: 7.5/10 from 5,224 users  
Reviews: 94 user | 85 critic

Elderly horror-film star who, while making a personal appearance at a drive-in theater, confronts a psychotic Vietnam veteran who's turned into a mass-murdering sniper.

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(screenplay), (story), 2 more credits »
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Title: Targets (1968)

Targets (1968) on IMDb 7.5/10

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Cast

Cast overview, first billed only:
Tim O'Kelly ...
Bobby Thompson
...
Byron Orlok
...
Ed Loughlin
Monte Landis ...
Marshall Smith (as Monty Landis)
Nancy Hsueh ...
Jenny
...
Sammy Michaels
Daniel Ades ...
Chauffeur
Stafford Morgan ...
Salesman - 1st Gunshop
...
Robert Thompson Sr.
Mary Jackson ...
Charlotte Thompson
Tanya Morgan ...
Ilene Thompson
Timothy Burns ...
Waiter (as Tim Burns)
Warren White ...
Grocery Boy
Mark Dennis ...
Salesman - 2nd Gunshop
Sandy Baron ...
Kip Larkin
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Storyline

Byron Orlok is an old horror-movie star who feels that he is an anachronism. Compared to real-life violence, his films are tame. Meanwhile, Bobby Thompson goes on a killing spree... Written by Gary Couzens <gjcouzens@btinternet.com>

Plot Summary | Plot Synopsis

Plot Keywords:

drive in | gun | rifle | sniper | serial killer | See more »

Taglines:

"I just killed my wife and my mother. I know they'll get me. But before that, many more will die..." See more »

Genres:

Horror | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 August 1968 (USA)  »

Also Known As:

Before I Die  »

Box Office

Budget:

$130,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Pathécolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The shooter can be heard taking a breath and holding it before each shot when he fires. This is the correct way for a sniper to steady his weapon before pulling the trigger. But when he fires shots at the moving vehicles on the freeway, the crosshairs are centered on the driver or the passenger - which would cause the shooter to miss, because he's not "leading" his rapidly moving targets. However, director Peter Bogdanovich did this because audiences would not understand why the shooter was aiming well ahead of each vehicle before he fired. They would expect all his shots to miss if the shooter had done this. See more »

Goofs

Admission price sign in drive-in ticket office changes: In at least one shot, adult price is $1.25; in others, $1.50 - both for same movie on same night. See more »

Quotes

Jenny: You really are in a foul mood.
Byron Orlok: Not at all. I'm just tired of your baleful looks.
See more »

Connections

Features The Terror (1963) See more »

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User Reviews

As close to "A" as a "B-Movie" can get.
7 August 2002 | by (Melbourne, Australia) – See all my reviews

Roger Corman explains in his autobiography that he handed this "spec" project to the up-and-coming Bogdanovich primarily because he could basically pay the kid peanuts. Bogdanovich understood Corman's economic sensibilities well, and cut as many corners as he could. He uses Cormans regular bit-players as well as plenty of Jack Nicholson footage from 1963's "The Terror" - another Corman B-movie. Corman's specifications for the film were simple: make a cheap film referring to the recent Charles Whitman shootings at the University of Texas, and make it fast. The script draws heavily from the real-life Whitman story; the all-American boy gone bad kills his wife and mother, and then proceeds on a killing spree, shooting anyone in his sights from a snipers nest. This story is intertwined with that of Byron Orlocks ageing horror legend nearing retirement; here Boris Karloff plays himself, for all intents and purposes. Bogdanovich plays a major role in the film himself, and there is obvious affection between the young director and Karloff in the scenes they share. Although Bogdanovich's wife Polly Platt takes a screenwriting credit, it is often said that her role was actually more of a partner in all Bogdanovich's early work, collaborating and counter-balancing his excesses. There is probably a lot of truth to this theory, as after the couple separated Bogdanovich's suffered a deep decline. I had read much of the history of `Targets' in Peter Biskind's `Easy Riders - Raging Bulls' and Corman's own `How I Made a Hundred Movies in Hollywood and Never Lost a Dime', and have been lucky enough to catch it twice on cable in the last week. It really is a very competent debut, and Bogdanovich truly makes the most of what humble resources he had at his disposal. See it.


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