Elderly horror-film star who, while making a personal appearance at a drive-in theater, confronts a psychotic Vietnam veteran who's turned into a mass-murdering sniper.
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When a gigantic great white shark begins to menace the small island community of Amity, a police chief, a marine scientist and grizzled fisherman set out to stop it.
Director:
Steven Spielberg
Stars:
Roy Scheider,
Robert Shaw,
Richard Dreyfuss
An ambitious reporter gets in way-over-his-head trouble while investigating a senator's assassination which leads to a vast conspiracy involving a multinational corporation behind every event in the worlds headlines.
Director:
Alan J. Pakula
Stars:
Warren Beatty,
Paula Prentiss,
William Daniels
A woman is kidnapped by a stranger on a routine flight. Threatened by the potential murder of her father, she is pulled into a plot to assist her captor in offing a politician.
The plot is about a guile young terrorist who is able to blackmail a series of companies by placing home-made radio controlled bombs within the central attraction of amusement parks; roller... See full summary »
Director:
James Goldstone
Stars:
George Segal,
Richard Widmark,
Timothy Bottoms
A member of British Intelligence assumes a fictitious criminal identity and allows himself to be caught, imprisoned, and freed in order to infiltrate a spy organization and expose a traitor.
Byron Orlok is an old horror-movie star who feels that he is an anachronism. Compared to real-life violence, his films are tame. Meanwhile, Bobby Thompson goes on a killing spree... Written by
Gary Couzens <gjcouzens@btinternet.com>
Peter Bogdanovich named his own character "Sammy Michaels" after Samuel Fuller (whose middle name is "Michael") in gratitude for the work Fuller did on the script. See more »
Goofs
The mother's body temporarily disappears from entryway to room where she was shot when Bobby carries his wife's body into another room, but somehow reappears when he returns. See more »
Roger Corman explains in his autobiography that he handed this "spec" project to the up-and-coming Bogdanovich primarily because he could basically pay the kid peanuts. Bogdanovich understood Corman's economic sensibilities well, and cut as many corners as he could. He uses Cormans regular bit-players as well as plenty of Jack Nicholson footage from 1963's "The Terror" - another Corman B-movie. Corman's specifications for the film were simple: make a cheap film referring to the recent Charles Whitman shootings at the University of Texas, and make it fast. The script draws heavily from the real-life Whitman story; the all-American boy gone bad kills his wife and mother, and then proceeds on a killing spree, shooting anyone in his sights from a snipers nest. This story is intertwined with that of Byron Orlocks ageing horror legend nearing retirement; here Boris Karloff plays himself, for all intents and purposes. Bogdanovich plays a major role in the film himself, and there is obvious affection between the young director and Karloff in the scenes they share. Although Bogdanovich's wife Polly Platt takes a screenwriting credit, it is often said that her role was actually more of a partner in all Bogdanovich's early work, collaborating and counter-balancing his excesses. There is probably a lot of truth to this theory, as after the couple separated Bogdanovich's suffered a deep decline. I had read much of the history of `Targets' in Peter Biskind's `Easy Riders - Raging Bulls' and Corman's own `How I Made a Hundred Movies in Hollywood and Never Lost a Dime', and have been lucky enough to catch it twice on cable in the last week. It really is a very competent debut, and Bogdanovich truly makes the most of what humble resources he had at his disposal. See it.
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Roger Corman explains in his autobiography that he handed this "spec" project to the up-and-coming Bogdanovich primarily because he could basically pay the kid peanuts. Bogdanovich understood Corman's economic sensibilities well, and cut as many corners as he could. He uses Cormans regular bit-players as well as plenty of Jack Nicholson footage from 1963's "The Terror" - another Corman B-movie. Corman's specifications for the film were simple: make a cheap film referring to the recent Charles Whitman shootings at the University of Texas, and make it fast. The script draws heavily from the real-life Whitman story; the all-American boy gone bad kills his wife and mother, and then proceeds on a killing spree, shooting anyone in his sights from a snipers nest. This story is intertwined with that of Byron Orlocks ageing horror legend nearing retirement; here Boris Karloff plays himself, for all intents and purposes. Bogdanovich plays a major role in the film himself, and there is obvious affection between the young director and Karloff in the scenes they share. Although Bogdanovich's wife Polly Platt takes a screenwriting credit, it is often said that her role was actually more of a partner in all Bogdanovich's early work, collaborating and counter-balancing his excesses. There is probably a lot of truth to this theory, as after the couple separated Bogdanovich's suffered a deep decline. I had read much of the history of `Targets' in Peter Biskind's `Easy Riders - Raging Bulls' and Corman's own `How I Made a Hundred Movies in Hollywood and Never Lost a Dime', and have been lucky enough to catch it twice on cable in the last week. It really is a very competent debut, and Bogdanovich truly makes the most of what humble resources he had at his disposal. See it.