This homage to the childhood days of the motion pictures starts in 1910, when the young attorney Leo Harrigan by chance meets a motion picture producer. Immediately he's invited to become a... See full summary »
Compelling character study, revolving around Jack Flowers (Ben Gazzara), an American hustler trying to make his fortune in 1970s Singapore in small time pimping. He dreams of building a ... See full summary »
The summer of 1984: 32 years after Duane Jackson captained the high school football team and Jacy Farrow was homecoming queen, the small town of Anarene, Texas prepares for its bicentennial... See full summary »
Called up for jury duty, Richard Dice finds his first crush and only real, but unrequited love, on trial for murder. Richard desperately tries to prove Mollys innocence while untangling a ... See full summary »
This film was Peter Bogdanovich's homage to musical comedies of the 1930s. A millionaire named Michael Oliver Pritchard III and a singer named Kitty O'Kelly meet and fall in love. Meanwhile... See full summary »
Byron Orlok is an old horror-movie star who feels that he is an anachronism. Compared to real-life violence, his films are tame. Meanwhile, Bobby Thompson goes on a killing spree... Written by
Gary Couzens <firstname.lastname@example.org>
Frank Marshall's parents and then-girlfriend appear as film-goers at the drive-in scenes. The film's dolly grip also appears, as the father shot, to the horror of his son who is sitting next to him in one of the cars. See more »
The mother's body temporarily disappears from entryway to room where she was shot when Bobby carries his wife's body into another room, but somehow reappears when he returns. See more »
[watching the audience seeing his movie]
Strange not getting any reaction, isn't it?
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Roger Corman explains in his autobiography that he handed this "spec" project to the up-and-coming Bogdanovich primarily because he could basically pay the kid peanuts. Bogdanovich understood Corman's economic sensibilities well, and cut as many corners as he could. He uses Cormans regular bit-players as well as plenty of Jack Nicholson footage from 1963's "The Terror" - another Corman B-movie. Corman's specifications for the film were simple: make a cheap film referring to the recent Charles Whitman shootings at the University of Texas, and make it fast. The script draws heavily from the real-life Whitman story; the all-American boy gone bad kills his wife and mother, and then proceeds on a killing spree, shooting anyone in his sights from a snipers nest. This story is intertwined with that of Byron Orlocks ageing horror legend nearing retirement; here Boris Karloff plays himself, for all intents and purposes. Bogdanovich plays a major role in the film himself, and there is obvious affection between the young director and Karloff in the scenes they share. Although Bogdanovich's wife Polly Platt takes a screenwriting credit, it is often said that her role was actually more of a partner in all Bogdanovich's early work, collaborating and counter-balancing his excesses. There is probably a lot of truth to this theory, as after the couple separated Bogdanovich's suffered a deep decline. I had read much of the history of `Targets' in Peter Biskind's `Easy Riders - Raging Bulls' and Corman's own `How I Made a Hundred Movies in Hollywood and Never Lost a Dime', and have been lucky enough to catch it twice on cable in the last week. It really is a very competent debut, and Bogdanovich truly makes the most of what humble resources he had at his disposal. See it.
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