Sweet November (1968)

Director:

Robert Ellis Miller

Writer:

Herman Raucher (writer)

Release Date:

8 February 1968 (USA)

Genre:

Drama

Tagline:

"A girl I know, she is partly mad. Yet behind that smile, she is partly sad. She is partly calm, she is partly wild. But she is mostly woman -- No. She is mostly child."

Plot:

A woman lures emotionally crippled men into affairs, then helps them repair their lives.

Plot Keywords:

Affair | Beautiful Woman

Cast

Sandy Dennis	...	Sara Deever
Anthony Newley	...	Charlie Blake
Theodore Bikel	...	Alonzo
Burr DeBenning	...	Clem Batchman
Sandy Baron	...	Richard
Marj Dusay	...	Carol
Martin West	...	Gordon
Virginia Vincent	...	Mrs. Schumacher
King Moody	...	Digby
Robert Gibbons	...	Sam Naylor

Runtime:

USA:114 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

UK:A (original rating) | USA:Approved | West Germany:16

Filming Locations:

New York City, New York, USA

Company:

Gina Production

Movie Connections:

Remade as Sweet November (2001)

Soundtrack:

Sweet November

neglected masterpiece

When Anthony Newley passed away in 1999 I was disappointed,to say the least,at the lack of television tributes that would normally accompany such an event.A brief note at the end of Eastenders was the best that the BBC could muster.The one exception,somewhat suprisingly,came from the fledgling Channel 5 and took the form of a showing of the film Sweet November.I must confess that at the time I had not heard of this film and it was only by chance that I happened to be over at My brother,s house at the moment of its broadcast.For the following two hours I sat mesmerised by a film that represents for me,the very best work that Newley ever did within the medium of film.The opening minutes of the film offer little indication of the true nature of what is to follow,as an unfashionably clad,and strangely uptight Anthony Newley has a chance encounter with a free spirited young lady,who epitomises all that the rigidly conventional Mr Newley would appear to despise.These opening scenes are possibly the most demanding on the viewer,as representing conventional characters came about as easily to Anthony Newley as it does now to Jack Nicholson,or Dennis Hopper.As the storyline unfolds however,the viewer is taken on board a magical rollercoaster of alternating pain and whimsy as the process of liberation,initiated by the promise of a transient love,brings both spiritual regeneration and inconsolable loss to Anthony Newley,s urban changeling.A storyline ,that would in less capable hands than the superlative ensemble cast and director,might descend into empty schmaltz,is carried to an unforgettable finale.I urge all those with a suitably open mind to take the opportunity to share in this neglected masterpiece.