A sinister, neurotic white girl Lula, with the provocation of her lovely, half-naked body and of her startlingly lascivious speech, lures to his doom a good-looking young black man Clay, a ... See full summary »
Al Freeman Jr.,
Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the ... See full summary »
A tale of innocence abroad, with racial overtones. Turner is a Black American, stationed at an air base in France. His captain thinks Turner's a good Negro, obedient, cheerful, and frightened, so he gives him a promotion and a three-day pass. On the first night, at a club, he meets Miriam, a White Parisian shop clerk. They dance, talk, and fantasize about each other. He's amazed when she agrees to spend the weekend with him at a Normandy beach hotel; in fact, he guesses she's a prostitute. She's not, they go; it's off season, they have their pick of rooms, and romance ensues. Then, racial misunderstanding and real prejudice complicate the weekend and its aftermath. Written by
"The Story of a Three Day Pass"(1968) was made by Melvin Van Peebles, who's generally considered to be the father of the "blaxploitation" film owing to his 1971 film "Sweet Sweetback's Baad Asss Song". I had heard about "Three Day Pass" from a friend, otherwise I never would have seen it. That would have been a shame. This movie tells the tale of a black soldier named Turner, in France, recently promoted by his white commander for being "trustworthy", and given three days leave to enjoy himself. He heads to Paris. He's seen at times wandering around the city in a slow, almost anticipatory way, and we the audience get the feeling that something is going to happen. In the streets he sees a performer who's bound in chains as the bound man's partner exclaims "for centuries man has been chained...today see how a man can free himself". Soon Turner takes up with a white French girl for a three day "taboo" romance. It's a liberating experience for Turner, and also for the girl. In a fantasy scene, Turner imagines himself on a rooftop with the girl, while racists go on a rant in the street below.In many ways this is a simple movie, almost like a college film. The director uses still photos, newsreel type scenes of carnage and violence are cut in at various times,and Turner talks to his own reflection in the mirror. But this is a very satisfying a "human" movie. There's a scene early on where Turner is trying to get a girl in a beatnik looking club to dance with him. He's wearing his shades and looking cool, but she turns him down. When his sunglasses are accidentally knocked off, the girl sees the uncertainty in his eyes, sees the person, and she accepts his invitation. There's more than one time in the movie that it would appear that the three day leave may end early, on a sour note, but every time the director raises Turner back up and the good time is back on. This movie really is a lot of fun to watch. The couple laughs and plays like kids at times, there are a lot of cool 60's images, a catchy soundtrack (apparently original), and it makes the appropriate fun of Turner's overbearing commander. What more could you ask? This doesn't seem to be a very well known movie, so keep an eye out for it. "Plus fort, man, plus fort"!
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