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Star! (1968)

6.6
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Ratings: 6.6/10 from 1,278 users  
Reviews: 60 user | 15 critic

Film based on life of actress Gertrude Lawrence, on- and offstage, takes the opportunity to feature extravagant musical production numbers with 'Julie Andrews' , acting, singing and dancing.

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Title: Star! (1968)

Star! (1968) on IMDb 6.6/10

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Nominated for 7 Oscars. Another 1 win & 4 nominations. See more awards »
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Edit

Cast

Cast overview, first billed only:
...
...
Richard Aldrich, Producer
Michael Craig ...
Sir Anthony Spencer
Daniel Massey ...
...
Charles Fraser
Bruce Forsyth ...
Arthur Lawrence
Beryl Reid ...
Rose
John Collin ...
Jack Roper
...
Andre Charlot, Producer
Richard Karlan ...
David Holtzmann, Gertrude's Attorney
Lynley Laurence ...
Billie Carleton
Garrett Lewis ...
Jack Buchanan
Anthony Eisley ...
Ben Mitchell
Jock Livingston ...
...
Dan
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Storyline

Film based on life of actress Gertrude Lawrence, on- and offstage, takes the opportunity to feature extravagant musical production numbers with 'Julie Andrews' , acting, singing and dancing. Written by Stewart M. Clamen <clamen@cs.cmu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

singing | actress | 70mm film | song | singer | See more »

Taglines:

Be glad they still make pictures like this! See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

Language:

|

Release Date:

22 October 1968 (USA)  »

Also Known As:

Loves of a Star!  »

Filming Locations:

 »

Box Office

Budget:

$14,000,000 (estimated)

Gross:

$4,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (edited)

Sound Mix:

| (Westrex Recording System)

Color:

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

18 stars and principal actors were backed by 144 important speaking actors, 178 important bit players and 9,847 extras with about 620 used in a single sequence. See more »

Goofs

In the number "Burlington Bertie" the banana skin thrown onstage by Gertie disappears. See more »

Quotes

Noel Coward: You can't decide what you want until you decide who you are.
See more »

Crazy Credits

The only credits seen at the beginning of the film are those for a fictional black-and-white short subject about Gertrude Lawrence. The film's real credits all appear at the end. However, the Twenieth-Century Fox logo is shown only in black-and-white, and with tinny 1940's-style sound recording, as part of that fictional newsreel. We never see the logo in color and stereophonic sound, although twentieth-Century Fox released "Star!" See more »

Connections

Referenced in A Decade Under the Influence (2003) See more »

Soundtracks

Limehouse Blues
Music by Philip Braham
Lyrics by Douglas Furber
Danced by Julie Andrews
See more »

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User Reviews

 
Not very Wise
6 February 2005 | by (Los Angeles, USA) – See all my reviews

If somebody wins a fortune at a Casino, will you finance the winner to have another go? Absurd, right? That's what I'm afraid happened here. Robert Wise and Julie Andrews were coming out of the most sensational success with "The Sound of Music". The kind of success that tends to be unrepeatable. What were they thinking then? The experts, I mean. The green light guys. Gertrude Lawrence was not Maria Von Trapp. But Julie Andrews was, is and always will be Julie Andrews. For an actor that must be a blessing even if most actors treat it like a curse. We can accept Julie in everything as long as you don't expect us to forget that she's Julie. She can poke fun at herself and show her boobs in "S.O.B" or pretend to be a man pretending to be a woman in "Victor Victoria" She can also play a quadriplegic in bed with Liam Neeson in "Duet for One" because the writing and the treatment of the character is, one way or another, tailor made. She managed to be Julie Andrews without betraying what the public, her public expects of her. A blessing or a curse? It doesn't matter, the actress herself can decide whether is one thing or the other. Julie Andrews has remained a name to be reckon with. Right up to Shrek. Star! gives her some fantastic moments, musical moments. Surrounded by great production values and wonderful costumes plus a delightful Daniel Massey as Noel Coward. But the shape of the film is a mess. We can't truly connect with her and we get lost in the masses and masses of information. From biopic to comedy, to drama to musical the film never finds the right tone. Disjointed, confused and confusing. I'm sure the film will find a new breath of life after we stop breathing. There is something in it that it's valuable and great but, at the moment, remains buried under the puzzling heaviness of its intentions.


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