Abner Hale, a rigid and humorless New England missionary, marries the beautiful Jerusha Bromley and takes her to the exotic island kingdom of Hawaii, intent on converting the natives. But ... See full summary »
George Roy Hill
Max von Sydow,
3,040 individual costumes were produced at a cost of £315,000. Julie wore 125 different outfits costing £144,500, including 96 different gowns. See more »
In the number "Burlington Bertie" the banana skin thrown onstage by Gertie disappears. See more »
Close personal relationships are bloody difficult, my darling but they do get easier with time. Loneliness gets harder.
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The only credits seen at the beginning of the film are those for a fictional black-and-white short subject about Gertrude Lawrence. The film's real credits all appear at the end. However, the Twenieth-Century Fox logo is shown only in black-and-white, and with tinny 1940's-style sound recording, as part of that fictional newsreel. We never see the logo in color and stereophonic sound, although twentieth-Century Fox released "Star!" See more »
If somebody wins a fortune at a Casino, will you finance the winner to have another go? Absurd, right? That's what I'm afraid happened here. Robert Wise and Julie Andrews were coming out of the most sensational success with "The Sound of Music". The kind of success that tends to be unrepeatable. What were they thinking then? The experts, I mean. The green light guys. Gertrude Lawrence was not Maria Von Trapp. But Julie Andrews was, is and always will be Julie Andrews. For an actor that must be a blessing even if most actors treat it like a curse. We can accept Julie in everything as long as you don't expect us to forget that she's Julie. She can poke fun at herself and show her boobs in "S.O.B" or pretend to be a man pretending to be a woman in "Victor Victoria" She can also play a quadriplegic in bed with Liam Neeson in "Duet for One" because the writing and the treatment of the character is, one way or another, tailor made. She managed to be Julie Andrews without betraying what the public, her public expects of her. A blessing or a curse? It doesn't matter, the actress herself can decide whether is one thing or the other. Julie Andrews has remained a name to be reckon with. Right up to Shrek. Star! gives her some fantastic moments, musical moments. Surrounded by great production values and wonderful costumes plus a delightful Daniel Massey as Noel Coward. But the shape of the film is a mess. We can't truly connect with her and we get lost in the masses and masses of information. From biopic to comedy, to drama to musical the film never finds the right tone. Disjointed, confused and confusing. I'm sure the film will find a new breath of life after we stop breathing. There is something in it that it's valuable and great but, at the moment, remains buried under the puzzling heaviness of its intentions.
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