Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly ... See full summary »
Husband (senior ministry official) and wife find their house is riddled with listening devices put there by his own ministry. A harrowing night follows (reminiscent of 'Who's Afraid Of ... See full summary »
A more horrific and gloomy version of The Beauty and the Beast. Julie is a bankrupt merchant's daughter who as the only one of the three daughters chooses to save her father's life by going... See full summary »
One of the most important images of the Czech New Wave 60s, which was ranked among the top ten domestic films of all time. Feature debut screenwriter and director Ivan Passer is currently ... See full summary »
Inspired by fairy-tales such as Alice in Wonderland and Little Red-Riding Hood, "Valerie and her Week of Wonders" is a surreal tale in which love, fear, sex and religion merge into one fantastic world.
In the 1950's, Ludvik Jahn was expelled from the Communist Party and the University by his fellow students, because of a politically incorrect note he sent to his girlfriend. Fifteen years ... See full summary »
Ondrej, a young boy who loves bees and bats, is introduced to his new mother, a woman much younger than his father. He brings her a basketful of flowers which she starts to throw in the air... See full summary »
Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly suffering. At a reception, he meets Reineke, with whom he fought for Austria in the first World War. Reineke convinces Kopfrkingl to emphasize his supposedly German heritage, including sending his timid son to the German school. Reineke then suggests that Kopfrkingl's half-Jewish wife is holding back his advancement in his job. Written by
Czechoslovakia's official submission to 42nd Academy Award's Foreign Language in 1970. See more »
My sweet. This is the blessed spot where we met 17 years ago. Only the leopard is new. Kind nature long ago relieved the other of his shackles. You see, dear, I keep talking of nature's benevolence, of merciful fate, of the kindness of God. We judge and criticize others, rebuke them. But what about ourselves? I always have the feeling that I do so little for you.
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Juraj Herz's The Cremator, lost to Western audiences for many years before being recently rediscovered by the Brothers Quay, is an extraordinary surreal meditation on the political horror of 1930s Europe. Hrusínský's remarkable title performance literally and figuratively fills the screen, an alarming depiction of a deceptive and compulsive character slowly inhabited by Nazi political dogma. In some respects The Cremator recalls Polanski's claustrophobic nightmare Repulsion, though this is arguably even further out than Polanski could manage. Utterly devastating but incredibly watchable (the 90 minute running time passes in a heartbeat), this is a real find. I posted this comment because I was aware that the only other comment on the film was negative, and I really do believe it is worth your time checking this out.
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