Charles (Jean Gabin), a sixtyish career criminal fresh out of jail, rejects his wife's plan for a quiet life of bourgeois respectability. He enlists a former cellmate, Francis (Alain Delon)... See full summary »
Courbevoie (France), 1971. Julien Bouin, a former typographist, and his wife Clemence, who used to perform in a circus, hardly talk to each other in their small house, soon to be demolished... See full summary »
Mid-aged married truck driver falls in love with a young waitress he meets while making a break on a long trip. They try to make it work, but she can't get a decent job or place to stay in ... See full summary »
Sophisticated crook talks ex-crook and now respectable business man into one last caper. This highly planned and well executed crime goes off without a hitch until rival bad guys want a piece of the action.
Whilst being transferred to a psychiatric hospital, a ruthless serial killer Gassot makes a break and goes on the run. He arrives in Marseilles, intending to escape abroad. Here, he falls for a young prostitute, Gerda.
Anecdotal story, stock Gabin with some heavy Audiard lines
As with La Horse, shot around the same time, you have to wonder if they had enough of a story when they end up with a mere 75-minute runtime. And the opening credits are slow, and boring! Jean Gabin plays the tired stubborn patriarch part he indulged in for most of the last 20 years of his career. It may be OK when there is something of a story, or when emotions, or laughs, are carried by the rest of the cast too. Here Gabin is in freewheeling mode more than ever. He is in turn tired, angry, passive-aggressive, sarcastic and even sometimes hypocritically gentle. The succession of moods gives us a mostly uninteresting character that the script would want us to accept as a maverick, a passionate fatalistic lone-ranger in a world of cynical and material hypocrites.
Sure Gabin has to cope with very little help from the script and director. Audiard's dialogue cannot make up for the lack of overall production quality. A lighter atmosphere might have resounded greatly with a couple of rants and one-liners, but here they ring wrong because they are the words of a bitter man you never come to root for.
There is a complete battalion of fine actors around Gabin though. They really lift up the whole thing around the old man's tired part; so much that in the end you really wonder how much real work it took the production guys to land so little drama.
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