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The Smugglers (1968) (TV) More at IMDbPro »


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Overview

User Rating:
5.3/10   8 votes
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Up 69% in popularity this week. See why on IMDbPro.
Director:
Writers:
Alfred Hayes (writer)
Elizabeth Hely (novel)
Contact:
View company contact information for The Smugglers on IMDbPro.
Release Date:
24 December 1968 (USA) more
Genre:
Plot Keywords:
User Reviews:
Bad accents, poor sets, and clumsy direction help to derail dark-hued comedy-drama... more (1 total)

Cast

  (Credited cast)
Shirley Booth ... Mrs. Hudson
Rico Cattani ... Sergeant Rossi
Edward Colmans ... Italian Hotel Clerk
Charles Drake ... Harry Miller
Emilio Fernández ... Inspector Cesare Brunelli
Gino Gottarelli ... Waiter
Gayle Hunnicutt ... Adrianna
John Indrisano ... Freight Agent
Kurt Kasznar ... Willi Raben
Carol Lynley ... Jo Hudson
Ralph Manza ... Batisto
David Opatoshu ... Alfredo Faggio

Michael J. Pollard ... Piero
Donnelly Rhodes ... Antoine Cirret
Albert Szabo ... Anton
George Tyne ... Customs Official
Ilka Windish ... Anna
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Additional Details

Runtime:
97 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.33 : 1 more
Sound Mix:
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1 out of 1 people found the following review useful.
Bad accents, poor sets, and clumsy direction help to derail dark-hued comedy-drama..., 28 June 2009
3/10
Author: moonspinner55 from redlands, ca

Poorly written and directed TV-movie from Universal has blissfully naïve American tourist Shirley Booth agreeing to 'smuggle' a religious statue over the Italian border from Austria for a charming man she's befriended at the inn; incredulous step-daughter Carol Lynley fears the mysterious crate contains drugs, while French detective Donnelly Rhodes suspects contraband arms. Mixture of lighthearted folly and macabre elements really needed a graceful, nimble touch to come off, yet this thing is far too heavy and flat to be much fun. Michael J. Pollard turns up as an Italian half-wit with a homicidal streak; his accent seems picked up from a local Italian restaurant--and he's nothing compared to Rhodes' quasi-Frenchman (with wiggly eyebrows!). Intended, I'm sure, to be a pleasant whiff of an entertainment designed as a showcase for Booth's joie de vivre (which is reminiscent of Thelma Ritter's in her later period). Shirley is indeed colorful and hammy, but this below-average script plays like a failed TV pilot (and one chock full of European stereotypes). The darker, meaner overtures are interesting, but do not work in this la-di-da context, while Lynley passes the time rolling her eyes and making exaggerated faces. "The Smugglers" is harmless after all, which may be one reason why it has all but been forgotten.

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