Ex-gangster Tony Banks is called out of retirement by mob kingpin God to carry out a hit on fellow mobster "Blue Chips" Packard. When Banks demurs, God kidnaps his daughter Darlene on his ...
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Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her with to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV ... See full summary »
Lord Windermere appears to all -including to his young wife Margaret - as the perfect husband. But their happy marriage is placed at risk when Lord Windermere starts spending his afternoons... See full summary »
Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann... See full summary »
John Phillip Law
In 1456, French king Charles VII recalls the story of how he met the 17 year-old peasant girl Joan of Arc, entrusted her with the command of the French Army and ultimately burned her at the stake as a heretic.
Ex-gangster Tony Banks is called out of retirement by mob kingpin God to carry out a hit on fellow mobster "Blue Chips" Packard. When Banks demurs, God kidnaps his daughter Darlene on his luxury yacht. Written by
Alex Barylski <firstname.lastname@example.org>
One of the very few films in which the closing credits are entirely sung. (The only other known example is the Spanish comedy ¿Por qué te engaña tu marido? (1969).) It was composed by Harry Nilsson, who also plays a tower guard in the film. See more »
The film begins with a cartoon figure in striped prison clothing dancing across the film's title and Otto Preminger's credit on the main characters' TV set. The channel is switched by Jackie Gleason before any other names are revealed. See more »
I've always wanted to see this film, and I'm glad I finally had the opportunity. As an example of old Hollywood's inability to grasp the counterculture of the late '60s, it is certainly worth seeing once. However, it is neither a great film nor a lost masterpiece, and I find it depressing that it is being hailed as such by those who are caught up in the smug-hip mindset that values mediocre films like this over truly great cinema. As bizarre as it all sounds, it plays like an extended episode of a bad sitcom and is really rather tame. However, the song performed by Carol Channing at the end is catchy and will remain in your head for days. You have been warned.
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