Ex-gangster Tony Banks is called out of retirement by mob kingpin God to carry out a hit on fellow mobster "Blue Chips" Packard. When Banks demurs, God kidnaps his daughter Darlene on his ...
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Ex-gangster Tony Banks is called out of retirement by mob kingpin God to carry out a hit on fellow mobster "Blue Chips" Packard. When Banks demurs, God kidnaps his daughter Darlene on his luxury yacht. Written by
Alex Barylski <firstname.lastname@example.org>
One of the very few films in which the closing credits are entirely sung. (The only other known example is the Spanish comedy ¿Por qué te engaña tu marido? (1969).) It was composed by Harry Nilsson, who also plays a tower guard in the film. See more »
We passed in the night. Last night. I can still close my eyes and see you.
Where do you get your dialogue from, old Valentines?
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The film begins with a cartoon figure in striped prison clothing dancing across the film's title and Otto Preminger's credit on the main characters' TV set. The channel is switched by Jackie Gleason before any other names are revealed. See more »
After watching Skidoo tonight all I can ask is what was Otto Preminger thinking when he did this film? Better yet what were all these talented people thinking when they signed on?
The plot has Jackie Gleason, once the mob's number one hit-man, but now retired and living with wife Carol Channing and daughter Alexandra Hay who has taken up with the hippie lifestyle and some hippies, much to the consternation of Gleason and Channing. Those two alone as parents might make anyone want to join a commune.
Cesar Romero and Frankie Avalon bring a message from God or at least that's what syndicate boss Groucho Marx. Groucho wants mob informer Mickey Rooney killed, but Mickey's in prison. Never mind the mob can do anything, bust Gleason into prison and bust him right out once the job is done. But Rooney won't let people near him, but since Gleason's an old friend he'll be vulnerable to him. Which is what Groucho is thinking.
Since Gleason balks, Groucho captures Alexandra Hay and brings her on his yacht from where he runs things. At that point with Marx having him by the short hairs, Gleason agrees to the contract.
The big idea is to get the entire prison tripping on LSD so no one will interfere. But of course things do go wrong as you'll see if you care to watch the film.
No matter how many big names were packed into Skidoo, nothing could get this picture off the ground. Otto Preminger packed the film with a whole lot of people he had used in previous films like Peter Lawford, Burgess Meredith, Slim Pickens, but all to no avail. The jokes fell flat as a punctured soufflé, the situations were just not funny, in fact even Groucho apparently wasn't in the mood to ad-lib any of his patented humor.
In fact Groucho playing a character called God WAS the funniest thing in the film. It has serious theological implications for those of us who thought George Burns or Morgan Freeman was God.
In its own way Skidoo was as big a disaster, even bigger than Plan Nine From Outer Space. And Preminger had a much bigger budget to work from.
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