Skidoo (1968)

Ex-gangster Tony Banks is called out of retirement by mob kingpin God to carry out a hit on fellow mobster "Blue Chips" Packard. When Banks demurs, God kidnaps his daughter Darlene on his ... See full summary »

Director:

Otto Preminger

Writer:

Doran William Cannon

Stars:

Jackie Gleason, Carol Channing, Frankie Avalon

Cast

Cast overview, first billed only:
Jackie Gleason	...	Tough Tony Banks
Carol Channing	...	Flo Banks
Frankie Avalon	...	Angie
Fred Clark	...	Tower Guard
Michael Constantine	...	Leech
Frank Gorshin	...	The Man
John Phillip Law	...	Stash
Peter Lawford	...	The Senator
Burgess Meredith	...	The Warden
George Raft	...	Capt. Garbaldo
Cesar Romero	...	Hechy
Mickey Rooney	...	George 'Blue Chips' Packard
Groucho Marx	...	God
Arnold Stang	...	Harry
Doro Merande	...	The Mayor

Storyline

Ex-gangster Tony Banks is called out of retirement by mob kingpin God to carry out a hit on fellow mobster "Blue Chips" Packard. When Banks demurs, God kidnaps his daughter Darlene on his luxury yacht.

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Plot Keywords:

mobster | yacht | absurd humor | man with glasses | hot air balloon | 

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Taglines:

It takes two to skidoo.

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Genres:

Comedy

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Motion Picture Rating (MPAA)

Rated R for some nudity and drug content

Details

Country:

USA

Language:

English

Release Date:

19 December 1968 (USA)

Also Known As:

Skidoo se Faz a Dois

Filming Locations:

San Francisco, California, USA

Company Credits

Production Co:

Otto Preminger Films

Technical Specs

Runtime:

97 min

Sound Mix:

Mono

Color:

Black and White Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Otto Preminger originally wanted Bob Dylan to score the movie. He invited Dylan and his wife to a screening of a rough cut of the movie in Preminger's Hollywood mansion. After the screening Dylan surprised everybody from his entourage, who thought the film was a disaster, by requesting a second screening but at one condition: he wanted to be left alone with his wife in the house during it. Preminger happily obliged, convinced that Dylan would accept the job. However, Dylan showed no further interest in the movie. He acknowledged later that he and his wife weren't interested at all by the film but they loved the mansion's style so much that they requested this second screening to freely explore it, write down what they liked and take inspiration for their own house.

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Quotes

Stash: If you're nothin', you really are somethin'. You dig? Boy, how I wish I could be nothing.
Darlene Banks: What?
Stash: Nothing.

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Crazy Credits

Harry Nilsson *sings* the credits.

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Connections

Features In Harm's Way (1965)

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Soundtracks

"Skidoo"
Performed by Carol Channing and Company

User Reviews

a classic Hollywood/acid combo

A much-maligned classic, this psychedelic gem came late in the career of director Otto Preminger, possibly at a time during which he was hoping to find a new niche. Clearly, this wasn't it, as the films he went on to do became far slower and subdued. Too bad, really, as there's some great stuff herein. An excellent cast weaves its way through a confusing plot, as follows: Jackie Gleason has retired from the mob and lives happily enough with wife Carol Channing and turtle-faced lackey Arnold Stang, the latter of whom gets iced (and prematurely, I say – let Stang stay in the picture!) when George Romero and Frankie Avalon try to persuade Gleason to pull a hit for the mob leader (`God' – Groucho Marx living in luxury on a boat with skinny Donyale Luna). Gleason finally agrees, and disappears to prison, cellmates with a peace-speaking mad scientist-looking Austin Pendelton. Meanwhile, Channing, pretty teenage daughter Alexandra Hay and her hippie boyfriend John Philip Law (who goes by `Stash') all become close friends when mom lets his hippie commune live in their house. Channing and Fay go (separately) to seduce Avalon to find out to where Gleason has gone. In prison, Gleason accidentally lets on to his hit, potential squealer (and squeal he does) Mickey Rooney (at the time in his sixth decade of filmmaking!), and further blunders when he writes a letter home and licks one of Pendelton's LSD-soaked envelopes. After a mesmerizing yet stupid trip sequence, Gleason decides not to make the hit and goes into conference with Pendelton. It's right around here that things get very manic, with an acid party in jail on the day that warden Burgess Meredith stops by to eat with the prisoners. Gleason and company make their escape while everybody's tripping their ears off (including tower guard Harry Nilsson and switchboard operator Slim Pickens), and the cast assembles for a bizarre conclusion on Marx's boat. No easy whodunit, this. That Paramount would make a production with a cast and crew like this clearly indicates that the rule-less environment of 1968 sent the studios scrambling. Furthermore, the gimmick of presenting some of Hollywood's best known faces feigning acid trips acts as evidence that in the ensuing hubbub, producers showed heart in making vehement attempts to pander to a difficult target audience. Two serious low points may leave people with a rotten taste in their ears: Channing has a musical number near the end of the film that advocates a free-wheeling hippie lifestyle, and Nilsson sings each and every word of the credits, down to the copyright.