5.7/10
249
11 user 9 critic

The Savage Seven (1968)

Approved | | Action, Crime, Drama | May 1968 (USA)
Mad bikers storm through an Indian reservation just to have a good ol' time.

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Cast

Cast overview, first billed only:
...
Johnnie
...
Marcia
...
Stud
...
Joint
...
Kisum
Max Julien ...
Grey Wolf
Richard Anders ...
Bull
...
Eddie
Charles Bail ...
Taggert (as Chuck Bail)
Mel Berger ...
Fillmore
...
Seely
John 'Bud' Cardos ...
Running Buck (as John Cardos)
Susannah Darrow ...
Nancy
Beach Dickerson ...
Bruno
Eddy Donno ...
Fat Jack
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Storyline

Biker gang leader Kisum (Adam Roarke) loves waitress Marcia Little Hawk (Joanna Frank). Her brother Johnnie Little Hawk (Robert Walker, Jr.), the leader of a group of American Indians disapproves. At various times these two groups are adversaries and allies. The two groups join forces but crooked businessmen scheme to have them at each other's throats again. The theme song "Anyone for Tennis" is by Cream. The Iron Butterfly are heard playing their classic "Iron Butterfly Theme." Producer Dick Clark and director Richard Rush made "Psych-Out" earlier in the year. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Riding Like Outlaws of Another Day...Violent...Defiant! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

May 1968 (USA)  »

Also Known As:

7 vilde engle  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Perfect)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Selected by Quentin Tarantino for the First Quentin Tarantino Film Festival, which was held in Austin, Texas in 1997. See more »

Connections

Referenced in How Come Nobody's on Our Side? (1975) See more »

Soundtracks

Unconscious Power
Written by Douglas Ingle, Ron Bushy, Danny Weis
Performed by Iron Butterfly
See more »

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User Reviews

Lame Biker Flick from AIP
4 June 2010 | by (Louisville, KY) – See all my reviews

Savage Seven, The (1968)

* 1/2 (out of 4)

Extremely bizarre AIP flick about a group of Indians, led by Johnnie (Robert Walker, Jr.) who are tired of their poor lives where they're pushed around on their reservation by a greedy white man. Soon a gang of bikers show up and the two sides clash, especially Johnnie and Stud (Adam Rourke) and it's all going to end in a battle. This is a very bizarre movie as it seems three or four screenplays were just mixed together and AIP quickly filmed them without trying to put anything into order. There are times when you think the bikers are wanting to help the Indians but then we're back to fighting only to flip flop a couple more times. The entire movie constantly left me with a WTF look on my face as nothing ever made too much sense or really added up in the end. You've got your typical white bad guys who are stealing money from the Indians. You have the Indians wanting to fight back on what is basically your land. Then you have the bikers show up who are probably here so AIP could exploit the biker genre. The film was apparently selected by Quentin Tarantino during one of his film festivals, which is a little interesting since there are much better biker flicks out there from this era. There's really not too much violence, no profanity and no nudity so the "exploitation" market is pretty low. What the film does have are a few long fights that seems to keep going and going. That's certainly not a bad thing as the fights are pretty outrageous with bats, chains and various other objects being used. Walker isn't too bad in his role but the screenplay doesn't leave him too much to do. The same can be said for Rourke who is also impressive for what he's given. Supporting players include Billy Green Bush, John "Bud" Cardos, Larry Bishop and Joanna Frank. Most of the time these biker flicks are at least mildly entertaining but this one here left me bored for long stretch of periods and way too many times. There's some cult-ish items here but just not enough to make this worth sitting through when there are so many better films out there.


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