| Jean Seberg | ... | Shanny | |
| Maurice Ronet | ... | Dex | |
| Christian Marquand | ... | Robert Ford | |
| Saro Urzì | ... | Kalhides (as Saro Urzzi) | |
| Antonio Passalia | ... | The killer | |
| Paolo Giusti | ... | Josio | |
| Max Roman | |||
| Artemis Matsas | |||
| Zannino | |||
| Steve Eckardt | (as Stève Eckardt) | ||
| Vasilis Diamantopoulos | (as Vassili Diamantopoulos) | ||
| Michel Bouquet | ... | Sharps | |
| rest of cast listed alphabetically: | |||
| Claude Chabrol | ... | Alcibiades (uncredited) | |
| Romain Gary | ... | (uncredited) | |
| Giorgos Marinos | ... | (uncredited) | |
| Nina Starenjou | ... | (uncredited) | |
| Nikos Tsachiridis | ... | (uncredited) | |
Directed by | |||
| Claude Chabrol | |||
Writing credits | ||
| Claude Rank | (novel "La Route de Corinthe") | |
| Claude Brulé | (adaptation) and | |
| Daniel Boulanger | (adaptation) | |
| Daniel Boulanger | (dialogue) | |
Produced by | |||
| André Génovès | .... | producer | |
Original Music by | |||
| Pierre Jansen | |||
Cinematography by | |||
| Jean Rabier | |||
Film Editing by | |||
| Jacques Gaillard | |||
Art Direction by | |||
| Marilena Aravantinou | |||
Costume Design by | |||
| Maurice Albray | |||
Production Management | |||
| Gérard Crosnier | .... | unit manager | |
| Patrick Delauneux | .... | unit manager (as Patrick Delaunaux) | |
| Alain Quefféléan | .... | production manager | |
| Max Roman | .... | unit manager | |
| Stefanos Vlachos | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Pierre Gauchet | .... | assistant director | |
| Michael Grigoriou | .... | assistant director (as Michel Grégoriou) | |
Art Department | |||
| André Davalan | .... | property master | |
Sound Department | |||
| Guy Chichignoud | .... | sound | |
Camera and Electrical Department | |||
| Paul Bonis | .... | assistant camera | |
| Jean Gimello | .... | key grip | |
| Jeannine Rabier | .... | assistant camera (as Janine Rabier) | |
| Claude Zidi | .... | camera operator | |
| Pierre Zucca | .... | still photographer | |
Costume and Wardrobe Department | |||
| Arlette Nastat | .... | costumes (as Arlette Nastat Real) | |
Editorial Department | |||
| Monique Fardoulis | .... | assistant editor | |
Music Department | |||
| André Jouve | .... | conductor | |
Other crew | |||
| Gérard Espinet | .... | administrator | |
| Denise Gaillard | .... | script supervisor | |
| Paul Maigret | .... | administrator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
Add Seberg and Greece to Chabrol and you'd expect something to sizzle. Unfortunately sizzle is not quite the right word - damp squib, maybe? The plot, such as it is, has been well set out by others so I won't rehash that. Whilst the story and the events are ridiculous, there is, nevertheless, a certain style here. The opening scene, where a magician enters Greece and the Greek border guards find the incriminating goods, promises a good film (I understand that this scene was cut from the version originally shown in the UK - as it's one of the best scenes goodness knows what it must have been like watching it back then). But sadly it's all downhill from there although the style and flair are still there. Who could fail to admire the dapper, but ruthless, killer in his white suit, white shirt, red tie and matching red-banded straw boater? Fortunately Chabrol returned to more masterful output a year later with "Les Biches", a film that is so far removed from this it's hard to believe it's the same director.
And who on earth dreamt up the dumb English language title for the US release? Surely "The Road to Corinth" would have worked.