A serious comedy. Ross Hunter-produced movie version of the French play "Les Joies de la famille" (later Americanized as "A Very Rich Woman") is plush, well cast, occasionally funny...and unfortunately timeless. A wealthy California widow, who appears to be frittering away her money, is railroaded by her two grown, greedy daughters, both of whom are afraid Mama Rosie is carelessly spending their inheritance. The whole issue of a vital--but aged--woman sent to a rest home against her will, and later having to prove herself sane in a court hearing, is touchy material for a comedy (and to his credit, director David Lowell Rich doesn't overload the picture with crass gags or obvious sentiment). Some of the humor is a little broad and doesn't work, yet Rosalind Russell understands the gravity inherent in this scenario and never hits a false note. Sandra Dee is also good as Rosalind's granddaughter, and James Farentino is very charming as a young lawyer. The movie has so much to say about the importance of our elderly, and the ways in which they choose to spend their remaining time, that the seriousness of "Rosie!"'s theme almost gets lost in the rush to a happy ending. The picture leaves you smiling--and at the same time wondering how many older ladies there are who were never quite so lucky. *** from ****
9 Reviews
One of my favorites
peggya19 July 2005
In addition to being an extremely fun movie, may I add that the costumes and scenery were wonderful. This kind, fun loving woman had a great deal of money. Unfortunately, she also had two greedy daughters who were anxious to get their hands on her money. This woman was lonely since the death of her husband. He had proposed to her in a theater that was going to be torn down. To prevent that, she bought it. Her daughters were afraid she was throwing away "their" money and decided to take action. The character actors in this film were a great plus also. I would give almost anything to have a copy of this film in my video library, but as of yet, it's never been released. Sad.
First, there was Auntie Mame; Now there's Grandma Rosie!
mark.waltz14 August 2018
Warning: Spoilers
A Ruth Gordon play is the source for this late in career comedy/drama for the great Rosalind Russell who in the span of a decade had taken on some very challenging roles in film versions of stage plays. She's a widowed millionairess, the matriarch of the Lord family (no relation to the Lords of "The Philadelphia Story" or even "One Life to Live"), and was apparently once in charge of the family company. Now retired, she races around on the highways of Southern California beaches with sweet granddaughter Sandra Dee, and after singing "My Baby Loves Nobody But Me", decides to buy a rundown downtown Los Angeles theater which like in the soon to be produced Broadway musical "Follies" is about to be torn down to make room for a parking lot. But her daughters Vanessa Brown and Audrey Meadows (in a deliciously nasty role) and attorney son-in-law Leslie Nielsen are not thrilled about her spending her money the way she wants (uncontent with their monthly stipend of $100,000 each!) and plot a nasty way to get control of the estate. Yes, this is a comedy with dramatic moments about elder abuse, so for the middle part of the film, it goes from lighthearted and gay to really depressing.
There are many things to like about this film, particularly the cast. Reginald Owen as Roz's butler and Margaret Hamilton as the maid are hysterically funny in their small parts, with Meadows cracking about Hamilton that she's ready to fly off on her broomstick. Having done musical theater across the country for over a decade, Hamilton actually gets to sing here, and isn't all that bad, even if it is done for comic effect. After all, she's the maid, not Aunt Eller or Madame Armfeldt here, roles she acted and sang on stage. Russell's "My Sister Eileen" leading man (Brian Aherne) is reunited here with her as the family attorney who has loved Russell secretly for years. Juanita Moore, who had audiences in tears as Susan Kohner's devoted mother in "Imitation of Life", plays the naive nurse at the mental institution where Russell is kidnapped and planted to get her out of the way, and it is obvious that she is completely unaware of the elder abuse going on. Unfortunately, some of her lines are rather silly, making her character overall as a mental hospital nurse not very realistic.
With their similar deep voices, it's not difficult to picture Russell and Meadows as related, even though they were only 15 years apart. Dee describes her aunt in rather vicious terms, but it is very apparent that as soon as she appears that she is exactly like Dee described her to be. Brown, the more submissive daughter, is still greedy, but it is insinuated that she's more guided in her schemes by Meadows and her even more greedy husband (Nielsen) who may seem classy and debonair but would put his own wife and daughter in a mental institution as well if he felt he could get his hands on their money. Nielsen may be remembered as a romantic lead, but he also played his share of villains as well, going as far as slicing the wrists of his very wealthy wife Barbara Stanwyck in the TV movie "The Letters" so he could get his hands on her money and marry her own sister. There are a few nice surprises here, especially the way Aherne, Dee and James Farentino (as Aherne's younger partner) get together to rescue Russell, and the court hearing which exposes everybody for who they are and gives Brown a nice little moment in atoning for her sins. Ultimately however, the mixed moods of the theme might be disturbing, and the idea of the not yet really elderly Russell tossed into the snake pit by her own children is somewhat depressing even if everything does get resolved in a nice fashion.
There are many things to like about this film, particularly the cast. Reginald Owen as Roz's butler and Margaret Hamilton as the maid are hysterically funny in their small parts, with Meadows cracking about Hamilton that she's ready to fly off on her broomstick. Having done musical theater across the country for over a decade, Hamilton actually gets to sing here, and isn't all that bad, even if it is done for comic effect. After all, she's the maid, not Aunt Eller or Madame Armfeldt here, roles she acted and sang on stage. Russell's "My Sister Eileen" leading man (Brian Aherne) is reunited here with her as the family attorney who has loved Russell secretly for years. Juanita Moore, who had audiences in tears as Susan Kohner's devoted mother in "Imitation of Life", plays the naive nurse at the mental institution where Russell is kidnapped and planted to get her out of the way, and it is obvious that she is completely unaware of the elder abuse going on. Unfortunately, some of her lines are rather silly, making her character overall as a mental hospital nurse not very realistic.
With their similar deep voices, it's not difficult to picture Russell and Meadows as related, even though they were only 15 years apart. Dee describes her aunt in rather vicious terms, but it is very apparent that as soon as she appears that she is exactly like Dee described her to be. Brown, the more submissive daughter, is still greedy, but it is insinuated that she's more guided in her schemes by Meadows and her even more greedy husband (Nielsen) who may seem classy and debonair but would put his own wife and daughter in a mental institution as well if he felt he could get his hands on their money. Nielsen may be remembered as a romantic lead, but he also played his share of villains as well, going as far as slicing the wrists of his very wealthy wife Barbara Stanwyck in the TV movie "The Letters" so he could get his hands on her money and marry her own sister. There are a few nice surprises here, especially the way Aherne, Dee and James Farentino (as Aherne's younger partner) get together to rescue Russell, and the court hearing which exposes everybody for who they are and gives Brown a nice little moment in atoning for her sins. Ultimately however, the mixed moods of the theme might be disturbing, and the idea of the not yet really elderly Russell tossed into the snake pit by her own children is somewhat depressing even if everything does get resolved in a nice fashion.
I Love This Film
mntwister25 December 2005
Absolutely wonderful drama and Ros is top notch...I highly recommend this movie. Her performance, in my opinion, was Academy Award material! The only real sad fact here is that Universal hasn't seen to it that this movie was ever available on any video format, whether it be tape or DVD. They are ignoring a VERY good movie. But Universal has little regard for its library on DVD, which is sad. If you get the chance to see this somewhere (not sure why it is rarely even run on cable), see it! I won't go into the story because I think most people would rather have an opinion on the film, and too many "reviewers" spend hours writing about the story, which is available anywhere.
a 10!
a 10!
Silliness
MrDeWinter22 September 2021
Typical late 60s over the top comedy with tons of make up. The actresses playing RRs daughters don't look much younger, they even look older than they are (45/39). Includes the most annoying blond of the 60s, Sandra Dee. Watch it only for the great Rosalind Russell.
Fun movie - entertaining all the way through.
rich-tanguy8 August 2002
As with most Rosalind Russell movies, this one is very entertaining -- it's fun all the way through. It's definitely one of the last of this genre of film -- just good wholesome entertainment. Give it a try - I don't think you will be disappointed.
Great Movie
Mame307 November 1999
Rosalind Russell executes a power-house performance as Rosie Lord, a very wealthy woman with greedy heirs. With an Auntie Mame-type character, this actress can never go wrong. Her very-real terror at being in an insane assylum is a wonderful piece of acting. Everyone should watch this.
Fun Wonderful Film
mpar-5218223 February 2018
Where can I view this Movie?
familyfirsttim3 July 2021
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