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Exhumed Films is resurrecting some beloved horror favorites from the 1970s and ’80s and projecting them onto the big screen at Alamo Drafthouse Yonkers, including Friday the 13th Part III, starring my original horror crush and maybe yours, too, Jason Voorhees! And also, we have release details for Escape Room, Paperbacks From Hell, Ghastlies, and Mountain Fever, as well as information on the new book Godzilla Faq.
Exhumed Films' Guilty Pleasures IV Marathon: Press Release: "Exhumed Films Presents: Guilty Pleasures IV--in 3-D!
Exhumed Films is pleased to return to the Alamo Drafthouse Yonkers to present the fourth edition of The Guilty Pleasures Marathon, our annual assault of cinematic insanity. For this year’s marathon, we present some of the greatest 3-D films of all time, projected from original 35mm prints using state of the art technology! The 1970’s and 1980’s saw a resurgence of three-dimensional movies, particularly in the realm of genre cinema. »
- Tamika Jones
Updated: Following a couple of Julie London Westerns*, Turner Classic Movies will return to its July 2017 Star of the Month presentations. On July 27, Ronald Colman can be seen in five films from his later years: A Double Life, Random Harvest (1942), The Talk of the Town (1942), The Late George Apley (1947), and The Story of Mankind (1957). The first three titles are among the most important in Colman's long film career. George Cukor's A Double Life earned him his one and only Best Actor Oscar; Mervyn LeRoy's Random Harvest earned him his second Best Actor Oscar nomination; George Stevens' The Talk of the Town was shortlisted for seven Oscars, including Best Picture. All three feature Ronald Colman at his very best. The early 21st century motto of international trendsetters, from Venezuela's Nicolás Maduro and Turkey's Recep Erdogan to Russia's Vladimir Putin and the United States' Donald Trump, seems to be, The world is reality TV and reality TV »
- Andre Soares
Jason from Mnpp here with this week's "Beauty vs Beast," which is falling square on Nicole Kidman Eve - the actress, perhaps you know her work, is turning the big Five-Oh tomorrow, and I heard if you put a cube of ice below your pillow tonight she might visit you while you sleep! I kid, don't come as me, Kidmaniacs - I adore her every bit as much as you all do. Which is problematic for this series - where could I possibly find someone to challenge her? I mean there's... no... I couldn't... could I? I am sorry, folks, but this is the only choice. Who else might beat her but the one whose heart beats so big and free...
Previously It appears that none of you learned anything from Rosemary's Baby, and you're all perfectly willing to fall prey to a pretty face covering up a treachorous heart - you gave Guy (John Cassavettes) the win with 56% of your vote over Roman (Sidney Blackmer), and while I'll admit they're both bad choices I really find Guy the most despicable so I can't agree with y'all. He deserves that loogie he gets! Or as Nick T put it:
"I'm sitting by this bag of garbage at work and like. It's less charismatic, sure, but also less morally repugnant, so it's got the edge. Still, I don't think Roman's creepiness is given its due since his wife is way more fun to watch. I'll give him my first born as tribute. It only seems fair." »
Jason from Mnpp here on another Monday afternoon with another round of our weekly "Beauty vs Beast" series - today happens to be the 49th anniversary of my favorite movie Rosemary's Baby. Roman Polanski's masterpiece (one of his several masterpieces) was dropped from beak of the devil's stork into the world on June 12th 1968, a wailing bundle of joy (with its father's eyes) that became the 8th biggest film of the year, scoring over 33 million at the box office (aka 230 million in 2017 dollars, putting it on par with what Fantastic Beasts and Where to Find Them made last year) and forever giving pregnant woman something shiny and new to worry themselves about. (All of them witches!)
Thanks for all the really funny questions, which had me laughing out loud. It's nice to answer questions about shows I haven't thought about for a while. Thanks for being really lovely - I had a nice time. And for those who haven't watched Prevenge, get a move on - the DVD comes out in June.
Are you as weird in real life as you are on screen?
No, disappointingly, I'm not as weird in real life. I think I'm probably just a deeply pragmatic person. I remember there being an interview with Bjork, who is one of my heroines and I'm not comparing myself to her, but it resonated with me - she said people compare me to a pixie, »
- Guardian Staff
Daily Dead was proud to sponsor and attend the first-ever Overlook Film Festival (we already can't wait for next year), and with this year's installment of the memorable horror celebration coming to an end after the weekend, the official recipients for the event's audience and juried awards have been announced.
Press Release: (Portland, Or) – As its inaugural run comes to a close, the Overlook Film Festival has the great pleasure of announcing its first year juried and audience awards. Culled from a stellar lineup of 39 films (22 features and 17 short films from 16 countries), the festival's features and short film juries deliberated over the course of the event, publicly revealing the winning selections at the special closing night secret screening of A24's It Comes At Night.
- Derek Anderson
Christian movies: Starring Nicolas Cage, the widely panned 2014 apocalyptic thriller 'Left Behind' was a box office bomb – unlike (relatively) recent popular 'faith movies' such as 'Heaven Is for Real,' 'Son of God' and 'War Room.' A thought on the New Christian American Cinema: Tired of the blatant propaganda found in 'mainstream' Christian movies Two films that might be called “Christian movies” opened last week, and I decided that I wouldn't watch them, write about them, or review them – at least directly. I'm not even going to mention their titles here because I don't promote propaganda films, and that's what this recent advent of Christian movies has become: propaganda. After all, since nearly all American cinema is Christian cinema, the New Christian American Cinema is in fact pure propaganda – not cinema. Worse yet, it bores me. So, here's the thing about what we've come to call »
- Tim Cogshell
Ryan Lambie Apr 10, 2017
Few horror films have been as closely studied and intimately dissected as Stanley Kubrick's The Shining. The simple story of a family ripped apart by the effects of a remote, haunted hotel, Kubrick's film has only grown in mystique since its release in 1980. Clearly, there's far more going on below the surface, but what does Kubrick's imagery and symbolism - much of it unique to the film, and absent from Stephen King's source novel - actually mean?
Rodney Ascher's superb 2012 documentary Room 237 pulled together some of the more outlandish theories about The Shining. It's Kubrick's veiled confession that he helped Nasa fake the 1969 Moon landings, »
Marc Webb managed to make just one character-driven feature, the quirky rom-com “(500) Days of Summer,” before he turned his attentions to the studio world, with “Amazing Spider-Man” and its sequel. Webb’s foray into the superhero world yielded uneven results: While both films cracked over $700 million at the global box office and made an effective case for Andrew Garfield as the web-slinger, overall returns were not nearly as hefty as Sony had hoped (Webb’s “Amazing Spider-Man 2” is the lowest earner of the franchise) and critical reception was decidedly mixed.
Now Webb is back to his roots with “Gifted,” a good-hearted family drama that’s a bit like “Good Will Hunting” for the elementary school set — which is to say, solid and familiar, but not exactly a triumphant return to form.
- Kate Erbland
There is nothing on the surface of “Live Cargo” that would suggest anything more than a cookie-cutter relationship drama: A young couple struggles with the trauma of their stillborn child, escaping to an exotic island to work through their problems; in the process, they’re swept up in island life, and given a second chance to appreciate their shared existence. Fortunately, the black-and-white debut of writer-director Logan Sandler is just sharp enough to complicate its clichés with strong performances and a mesmerizing tone that pushes the mopey proceedings into psychological thriller territory. Despite some clunkier moments, it’s a notable effort to avoid some familiar traps.
“Live Cargo” mainly follows Nadine (Dree Hemingway) and Lewis (Lakeith Stanfield) as they arrive at the unspecified Bahamian island that Nadine’s family visited in her youth. It’s there that she introduces Lewis to Roy (Robert Wisdom), the island’s mayor and stern patriarch, »
- Eric Kohn
An unconventional tale of revenge, Alice Lowe's Prevenge is now available to stream on Shudder, and to celebrate the film's release and its haunting synth score, we caught up with Pablo Clements and James Griffith (of the band Toydrum) to discuss the creativity that went into scoring Lowe's multidimensional horror film.
"We met Alice a few years back when we scored a short called Pieces, directed by our good friend Jack Weatherley, and Alice was part of the cast. A year later, Alice asked us to score her short film called Solitudo, and a year after that she came to us with Prevenge. We always got on really well and have a mutual respect for each other's work, so it was easy and enjoyable to work together. »
- Derek Anderson
While Madre may only be his second feature film to date, writer/director Aaron Burns is no stranger to the world of horror, or indie filmmaking for that matter. His credits include providing visual effects expertise on projects like Planet Terror, Machete, and The Green Inferno (on which he also was in charge of second unit photography and even played the character of Jonah, who was eaten by cannibals in a glorious frenzy of brutality), and he has also worked as a camera operator on Aftershock and played supporting roles in both The Stranger and Knock Knock.
While at the 2017 SXSW Film Festival, Daily Dead caught up with Burns to talk about his disturbing take on parental paranoia. The filmmaker discussed what inspired his latest project, how he wanted to tap into the true horror of Madre’s story—rather than rely on copious amounts of gore—and the importance of trusting female instincts, »
- Heather Wixson
Jordan Peele's new film, Get Out, currently holds a rare 99 percent approval rating on Rotten Tomatoes, and for good reason. The subversive horror flick uses race as the primary motivator for the brilliant, bloody horror that transpires when a young black man (Daniel Kaluuya) accompanies his white girlfriend (Allison Williams) home for a weekend to meet her "liberal" parents. His descent into a terrifying "are they trying to kill me, or are they just weird?" back and forth results in an unsettling, funny, and overwhelmingly spooky movie. Given our current political climate, which makes Get Out more resonant than ever, it's easy to assume Peele's primary inspiration for the film was pulled from news headlines about black men continuously suffering grave and blatant injustice at the hands of white people. It turns out a lot of different things influenced the final product, which Peele began working on before »
- Quinn Keaney
If the saying "no guts, no glory" holds true, then there's a serious discrepancy happening in the world of horror. Though women -- your scream queens, your final girls -- have so often offered up their guts to genre films, men are still predominately pulling the strings behind the scenes. That's not the case with Xx, a horror anthology featuring four killer tales by four female directors: Annie Clark (aka rocker St. Vincent, making her directorial debut), Jovanka Vuckovic, Karyn Kusama and Roxanne Benjamin. The story of how Xx came to be -- and how it hopes to upend the horror industry -- is best told by the women behind it.
A director and student of horror maestro Guillermo del Toro, Vuckovic conceived Xx after noticing that despite the horror anthology's extensive history, female creatives have been virtually absent. She partnered with producer Todd Brown of Xyz Films to change that.
Jovanka Vuckovic (writer-director »
This Friday, The Bye Bye Man arrives in theaters everywhere, and in advance of the film’s release, Daily Dead caught up with producer Trevor Macy to talk about his involvement with the project, working with director Stacy Title, and his thoughts on trying to keep up with the expectations of modern audiences. Macy also gave us an update on the release of Mike Flanagan’s Before I Wake, which has been delayed due to some issues over at Relativity Media.
Great to speak with you today, Trevor. You've been involved with a lot of really fantastic genre films over the years, so I'm curious, what was it about the story of The Bye Bye Man in particular that made you think, "This is definitely something I want to be involved with?"
Trevor Macy: Well, it has a couple things going for it that I like. One is, I »
- Heather Wixson
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