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Rosemary's Baby (1968)

 -  Drama | Horror | Mystery  -  12 June 1968 (USA)
8.0
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Ratings: 8.0/10 from 116,953 users  
Reviews: 407 user | 192 critic

A young couple move into a new apartment, only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins controlling her life.

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Title: Rosemary's Baby (1968)

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Won 1 Oscar. Another 12 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Hutch
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Terry (as Angela Dorian)
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Laura-Louise
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Mr. Nicklas (as Elisha Cook)
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Dr. Hill
Hanna Landy ...
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Dr. Shand (as Philip Leeds)
D'Urville Martin ...
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Storyline

Rosemary and Guy Woodhouse move into an apartment in a building with a bad reputation. They discover that their neighbours are a very friendly elderly couple named Roman and Minnie Castevet, and Guy begins to spend a lot of time with them. Strange things start to happen: a woman Rosemary meets in the laundry dies a mysterious death, Rosemary has strange dreams and hears strange noises and Guy becomes remote and distant. Then Rosemary falls pregnant and begins to suspect that her neighbours have special plans for her child. Written by Goth <brooks@odie.ee.wits.ac.za>

Plot Summary | Plot Synopsis

Plot Keywords:

apartment | dream | neighbor | laundry | baby | See more »

Taglines:

Pray for Rosemary's Baby

Genres:

Drama | Horror | Mystery

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

12 June 1968 (USA)  »

Also Known As:

El bebé de Rosemary  »

Box Office

Budget:

$2,300,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Mia Farrow does the vocals on the title-sequence lullaby. See more »

Goofs

Spotted twice is the use of 1967 Chevrolet taxicabs, even though the time frame for the film is late 1965 through the end of June 1966. The 1967 models would not have been introduced until the Fall of 1966. See more »

Quotes

Dr. Abe Sapirstein: Fantastic! Absolutely fantastic! What did you say the name was? Machado?
See more »

Connections

Referenced in 30 Rock: Rosemary's Baby (2007) See more »

Soundtracks

Für Elise
by Ludwig van Beethoven
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Reassuring to fine it's every bit as good as its staunchest champions would have you believe
21 April 2001 | by (Canberra, Australia) – See all my reviews

Why aren't the horror directors of today as careful with their scripts as Polanski was? Not that this is really horror. Horror as we know it came into being with the slasher flicks of the late 1970s and early 1980s; "Rosemary's Baby" is rather the kind of thing that the term "dark fantasy" was coined to describe, by people of taste who noticed that the word "horror" promised audiences something distinctly unpleasant and nasty.

The film's construction is marvellous. Things start slow - one beat, so to speak, to a bar - and gradually pick up speed so that by the end we are nervously tapping out semiquavers with our feet. Polanski also understands the gentle art of hint-dropping. Many events are filed away as tiny puzzles to be solved later, and they ARE solved later; others we don't attach any particular significance to at the time Polanski invites us to re-interpret in retrospect, AND chooses the right moment to let us do so. And then, at the end, AFTER we've worked everything out, he presents us with a surprise - a delightful, gratuitous twist which nothing had prepared us for, which we couldn't have guessed, yet which doesn't cancel out the story as we'd understood it. (Alas, many people know what this surprise is in advance. I, for one. Yet this foreknowledge did nothing to spoil my enjoyment: a sure sign of superb construction.)

All in all, a film that tempts you to rank it with the best ever made - which is more, but not much more, than it deserves - simply because it's perfect. Everything went right. Rosemary is a wonderfully sympathetic heroine, powerless without being passive, largely ignorant of what's going on around her without being at all stupid, and Mia Farrow makes you care deeply about her. The cinematography is pellucid; the art direction is subtly right; there's also a fine, odd yet tuneful, musical score. I can't believe I waited so long to see this.


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an unintentional funny ebonyruffles
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