Shakespeare's classic tale of romance and tragedy. Two families of Verona, the Montagues and the Capulets, have been feuding with each other for years. Young Romeo Montague goes out with his friends to make trouble at a party the Capulets are hosting, but while there he spies the Capulet's daughter Juliet, and falls hopelessly in love with her. She returns his affections, but they both know that their families will never allow them to follow their hearts. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
William Shakespeare's play is thought to have been written between 1591 and 1596 (most likely in the mid-1590s). The first documented performance took place in 1662. See more »
Around 00:44:38, we can see Romeo walk near a tree's branch. Around 00:44:58, he's doing it again. See more »
What, art thou drawn among these heartless hinds?
Turn thee, Benvolio. Look upon thy death.
I do but keep the peace. Now, put away your sword or manage it to part these men with me.
What? Drawn and you talk of peace? I hate the word as i hate hell, all Montagues, and thee. Have at thee, coward!
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Easily the best Shakespeare film in history, mainly because it stays so true to what Shakespeare wrote and was undoubtedly his vision, yet is undeniably fresh and relevant and affecting, despite its Renaissance setting. It feels more modern and current than the soulless bluster of Baz Luhrmann's effort. Whosoever says Whiting and Hussey are anything short of fantastic as Romeo and Juliet needs to reconsider how they want Shakespeare acted. Do you want dramatic bluster and fist waving (which Hamlet specifically cautions against) or true raw emotion and feeling? These actors, mostly because they were so inexperienced, couldn't be more natural and true to their characters every step of the way. You truly believe that they are in love and it's a legitimate love, no just "crazy teens." And the rest of the cast - Jesus H. Christ! They're all fantastic. The Friar and Nurse were obscenely perfect, becoming among the most endearing characters ever filmed, and of course John McEnery is the best, most pathos-laden Mercutio ever, all stage, screen, TV, etc. renditions included. Michael York is a fabulous Tybalt, menacing, arrogant, headstrong, cruel, but ultimately sympathetic. Tybalt is after all just a petulant child - he's no evil tyrant, just a misguided bully, who certainly doesn't deserve to die. I love that his killing of Mercutio is accidental and that he seems to show remorse for it. Even the Prince is really damn good, with his last lines leaving an absolutely chilling impression on the audience. All are punish-ed! A must see.
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