| George Constantin | ... | Procurorul | |
| Emil Botta | ... | Paveliu | |
| George Mihaita | ... | Vuica | |
| Vladimir Gaitan | ... | Nicu | |
| Ernest Maftei | ... | Dumitrescu | |
| Ileana Popovici | ... | Domnisoara | |
| Stefan Moisescu | ... | Dragan | |
| Niky Volcz | ... | Vlad | |
| Ion Radulescu | ... | Toma | |
| Nita Anastase | |||
| Vasile Alexandru | |||
| Teodor Berca | |||
| Elena Fronus |
Directed by | |||
| Lucian Pintilie | |||
Writing credits(in alphabetical order) | ||
| Horia Patrascu | novel | |
| Horia Patrascu | screenplay | |
| Lucian Pintilie | ||
Produced by | |||
| Mihai Opris | .... | producer | |
Cinematography by | |||
| Sergiu Huzum | |||
Film Editing by | |||
| Eugenia Naghi | |||
Production Design by | |||
| Aureliu Ionescu | (as Aurel Ionescu) | ||
Costume Design by | |||
| Aureliu Ionescu | |||
| Florina Tomescu | |||
Makeup Department | |||
| Paraschiva Coman | .... | makeup artist | |
Production Management | |||
| Gheorghe Löve | .... | production manager (as Gheorghe Löwe) | |
| Alexandru Nae | .... | production manager | |
| Ion Radulescu | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Edith Mandel | .... | assistant director | |
Sound Department | |||
| Andrei Papp | .... | sound editor | |
| Eugen Zaharia | .... | sound assistant | |
Camera and Electrical Department | |||
| Stefan Ciurea | .... | still photographer | |
| Paul Misirgic | .... | assistant camera | |
| Dinu Tanase | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Maria Stan | .... | wardrobe | |
| Maria Teodoru | .... | wardrobe | |
Editorial Department | |||
| Rodica Bokor | .... | second editor | |
| Angela Pascu | .... | grader | |
| Iulia Vincenz | .... | assistant editor | |
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| The Oak | Captain Conan | Too Late | Philanthropy | The Lonely Passion of Judith Hearne |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Romania section |
It is a matter of highly disreputable concern that this sublime film directed by Lucian Pintilie is not so well unknown globally.When a great film like this remains unknown for whatever reasons what hurts the most is the fact that an opportunity has been denied to viewers to watch,understand and appreciate a rewarding film which proffers a multiplicity of interpretations.Reconstituirea is without an ounce of doubt one of the boldest East European films which challenge the repressive hegemony of a communist state albeit in a very circumspect manner.Although punishment or to be precise reeducation of two young boys remains the film's central theme there is also some benign overlapping of many life affirming themes and situations such as first love,friendship,sacrifice,pain,suffering,indifference etc.Lucian Pintilie came into international prominence as Reconstituirea was applauded at Cannes Film festival in 1968 but as it was critical of communist party establishment,Pintilie was banned from traveling to France. This was the high price audacious film makers like him from East European countries had to pay in the past.