| Joanne Woodward | ... | Rachel Cameron | |
| James Olson | ... | Nick Kazlik | |
| Kate Harrington | ... | Mrs. Cameron | |
| Estelle Parsons | ... | Calla Mackie | |
| Donald Moffat | ... | Niall Cameron | |
| Terry Kiser | ... | Preacher | |
| Frank Corsaro | ... | Hector Jonas | |
| Bernard Barrow | ... | Leighton Siddley | |
| Geraldine Fitzgerald | ... | Rev. Wood | |
| Nell Potts | ... | Rachel as a child | |
| Shawn Campbell | ... | James | |
| Violet Dunn | ... | Verla | |
| Beatrice Pons | |||
| Dortha Duckworth | (as Dorothea Duckworth) | ||
| Simm Landres | |||
| Izzy Singer | ... | Lee Shabab | |
| Tod Engle | ... | Nick as a child | |
| Connie Robinson | |||
| Sylvia Shipman | |||
| Larry Fredericks | |||
| Bruno Engler | ... | Bartender (as Bruno Engl) | |
| Wendell P. MacNeal IV | (as Wendell Mac Neal) | ||
| rest of cast listed alphabetically: | |||
| Pete Bostrom | ... | (uncredited) | |
Directed by | |||
| Paul Newman | |||
Writing credits | ||
| Stewart Stern | (screenplay) | |
| Margaret Laurence | (novel "A Jest of God") | |
Produced by | |||
| Arthur S. Newman Jr. | .... | associate producer (as Arthur Newman) | |
| Paul Newman | .... | producer | |
| Harrison Starr | .... | associate producer | |
Original Music by | |||
| Jerome Moross | |||
Cinematography by | |||
| Gayne Rescher | |||
Film Editing by | |||
| Dede Allen | |||
Casting by | |||
| Shirley Rich | |||
Art Direction by | |||
| Robert Gundlach | |||
Set Decoration by | |||
| Richard Merrell | |||
Costume Design by | |||
| Domingo A. Rodriguez | (as Domingo Rodriguez) | ||
Makeup Department | |||
| Colleen Callaghan | .... | key hair stylist | |
| Robert Phillipe | .... | makeup artist (as Bob Phillipe) | |
Production Management | |||
| Florence Nerlinger | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Alan Hopkins | .... | assistant director | |
| Edward Folger | .... | assistant director (uncredited) | |
| Alex Hapsas | .... | assistant director (uncredited) | |
| Robert J. Koster | .... | second assistant director (uncredited) | |
Art Department | |||
| Merle Eckert | .... | construction (as Merle Eckhart) | |
| Merce Eckhart | .... | constructor | |
| Sante Fiore | .... | scenic | |
| Thomas Wright | .... | property master (as Tommy Wright) | |
Sound Department | |||
| Alan Heim | .... | sound editor | |
| Jack C. Jacobsen | .... | sound (as Jack Jacobsen) | |
| Dick Vorisek | .... | sound re-recordist | |
| Robert Rogow | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| Larry Barr | .... | key grip | |
| Willie Meyerhoff | .... | chief gaffer (as Willy Meyerhoff) | |
| Dick Mingalone | .... | camera operator | |
| Muky | .... | still photographer | |
| Tom Priestley Jr. | .... | assistant camera (as Tom Priestley) | |
Costume and Wardrobe Department | |||
| Bev Langer | .... | wardrobe | |
Editorial Department | |||
| Lynn Lewis Lovett | .... | assistant editor (as Lynn Lewis) | |
| Robert Q. Lovett | .... | associate editor | |
Music Department | |||
| Jerome Moross | .... | musical director | |
| Frank Kulaga | .... | music scoring mixer (uncredited) | |
Other crew | |||
| Roberta Hodes | .... | script | |
| Larry Sturhahn | .... | production consultant | |
| Phillip M. Goldfarb | .... | production assistant (uncredited) | |
| George Manasse | .... | production assistant (uncredited) | |
|
|
|
|
|
| The Virgin Suicides | Persepolis | Saving Face | The Kite Runner | The Notebook |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This small, naturalistic film is one of the more honest films to come out of Hollywood. Its portrait of unexceptional lives strikes chords most movies never hear. Woodward and Harrington are superb, and under husband Paul Newman's direction, Woodward gives what is probably her finest performance. Newman has done a first rate job, and his use of photographed thought is particularly effective thanks in large part to Dede Allen's superb editing. The scene at the revival is ,perhaps, overdone but, the rest of the film feels true to life. The film's integrity is in its refusal to romanticize or provide dramatic climaxes. There are no heroes or villains, nothing remarkable happens, yet the film is holding and affecting and it should have been on the AFI's list of The 100 Greatest American Films. It deservedly received Oscar nods for best picture and actress, but director Newman was not nominated. Both the New York Film Critics and the Hollywood Foreign Press (Golden Globes) awarded Newman and Woodward. A gem!