Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions ... See full summary »
Rita, a middle aged New York City homemaker, finds herself in an emotional crisis which forces her to re-examine her life, as well as her relationships with her mother, her eye doctor ... See full summary »
Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Rocky Graziano is building a career in crime, when he's finally caught and arrested. In jail, he is undisciplined, always getting into trouble. When he gets out after many years he has ... See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go. Written by
John Vogel <firstname.lastname@example.org>
Rachel's hair pattern changes in two continuous shots on the hospital bed. The front camera angle shows her hair in front of her ears but the side camera shows her hair behind her ears. See more »
[On the phone with her mother in the room]
[On the other line]
My folks are away for the weekend. So, I thought maybe you'd like to play house. We got, like, three bedrooms, so we can chase each other from room to room between... you know.
I mean, yes, I'd love to read that book. That sounds very interesting. Can you get it from the public library?
Oh, you can't talk, right?
Right. At this moment, I'm Venus observed.
See more »
Both the camera and the man behind it were obviously in love with the actress on screen, and, that actress, Joanne Woodward, was arguably never better than she was in "Rachel, Rachel," husband-Paul-Newman's first directing effort. The low-key story involves a woman who reaches the middle of her life and realizes that she has yet to start living. Trapped in a small apartment above a funeral parlor with her whining possessive mother, Rachel is a schoolteacher with daydreams of having a life and children of her own.
Rachel's emotions are written on Woodward's face in a way few actresses have ever conveyed feeling. Words are superfluous, because the actress's subtle shifts of expression reveal the woman's raw vulnerability and, eventually, her sexual and emotional awakening. A course in film acting could be taught with this film as the primer. Although Kate Harrington, James Olson, and Estelle Parsons provide able support, the film is Woodward's showcase, and Newman's sturdy direction does not detract from his star. The shifts between Rachel's present and her memories and dreams are seamless, clear, and illuminating rather than distracting.
The film requires patience, but that does not imply boring, but rather leisurely paced, much like life in a small town that lies off the main roads. Getting to know another person requires time, and Rachel is worth knowing. "Rachel, Rachel" is a not to be missed minor masterwork with a performance that will haunt and linger in memory indefinitely. Newman never surpassed his directing here, and few actresses have surpassed Woodward's achievement either.
21 of 22 people found this review helpful.
Was this review helpful to you?