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Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go. Written by
John Vogel <firstname.lastname@example.org>
Rachel's hair pattern changes in two continuous shots on the hospital bed. The front camera angle shows her hair in front of her ears but the side camera shows her hair behind her ears. See more »
[On the phone with her mother in the room]
[On the other line]
My folks are away for the weekend. So, I thought maybe you'd like to play house. We got, like, three bedrooms, so we can chase each other from room to room between... you know.
I mean, yes, I'd love to read that book. That sounds very interesting. Can you get it from the public library?
Oh, you can't talk, right?
Right. At this moment, I'm Venus observed.
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This small, naturalistic film is one of the more honest films to come out of Hollywood. Its portrait of unexceptional lives strikes chords most movies never hear. Woodward and Harrington are superb, and under husband Paul Newman's direction, Woodward gives what is probably her finest performance. Newman has done a first rate job, and his use of photographed thought is particularly effective thanks in large part to Dede Allen's superb editing. The scene at the revival is ,perhaps, overdone but, the rest of the film feels true to life. The film's integrity is in its refusal to romanticize or provide dramatic climaxes. There are no heroes or villains, nothing remarkable happens, yet the film is holding and affecting and it should have been on the AFI's list of The 100 Greatest American Films. It deservedly received Oscar nods for best picture and actress, but director Newman was not nominated. Both the New York Film Critics and the Hollywood Foreign Press (Golden Globes) awarded Newman and Woodward. A gem!
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