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IMDb > Questi fantasmi (1968)

Questi fantasmi (1968) More at IMDbPro »


Overview

User Rating:
5.4/10   107 votes
MOVIEmeter: ?
Down 6% in popularity this week. See rank & trends on IMDbPro.
Director:
Renato Castellani
Writers:
Adriano Baracco (dialogue)
Leonardo Benvenuti (dialogue)
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Contact:
View company contact information for Ghosts - Italian Style on IMDbPro.
Release Date:
28 February 1969 (Finland) more
Genre:
Comedy | Fantasy more
Tagline:
If you were a ghost in Sophia's house you wouldn't stay in the attic either.
Plot:
Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent... more | add synopsis
User Comments:
GHOSTS - Italian STYLE (Renato Castellani, 1967) **1/2 more

Cast

  (Credited cast)
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Additional Details

Also Known As:
Fantômes à l'italienne (France)
Ghosts - Italian Style (USA)
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Runtime:
104 min
Country:
Italy | France
Language:
Italian
Color:
Color (Metrocolor)
Aspect Ratio:
1.66 : 1 more
Sound Mix:
Mono
Company:
La Champion more

FAQ

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2 out of 3 people found the following comment useful:-
GHOSTS - Italian STYLE (Renato Castellani, 1967) **1/2, 23 August 2006
6/10
Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta

Based on a play by the eminent Eduardo De Filippo, this old-fashioned but agreeable mix of haunted house thrills and comedy of errors is tailor-made for the talents of its two international stars - Sophia Loren and Vittorio Gassman (who particularly shines); incidentally, this constituted their only teaming following their stardom (having also made 3 other films together during the early 50s). Still, the film also treats several social issues like poverty, suicide, adultery and prostitution - but it's all done with a decidedly light touch.

The supporting cast is equally well chosen: Mario Adorf (as the head of an institution/order of nuns where Loren used to work and who still loves her, while being mistaken by Gassman as the house ghost!), Aldo Giuffre' (as the opportunistic caretaker of the haunted building) and Margaret Lee (as a Fellini-esquire hooker, abused but ever-optimistic, who also lodges at the house). The film also features a good score by the always reliable Luis Enrique Bacalov.

While no classic, the gags and lines are pretty consistent; the last joke even involves an uncredited cameo by Marcello Mastroianni!

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