| Cast overview, first billed only: | |||
| Susan Strasberg | ... |
Jenny Davis
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| Dean Stockwell | ... |
Dave
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| Jack Nicholson | ... | ||
| Bruce Dern | ... |
Steve Davis
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| Adam Roarke | ... |
Ben
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Max Julien | ... |
Elwood
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| Henry Jaglom | ... |
Warren
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Linda Gaye Scott | ... |
Lynn
(as Linda G. Scott)
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Mireille Machu | ... |
Pandora
(as I.J. Jefferson)
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Tommy Flanders | ... |
Wesley
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Ken Scott | ... |
Preacher
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| Garry Marshall | ... |
Plainclothesman
(as Gary Marshall)
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Geoffrey Stevens | ... |
Greg
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Susan Bushman | ... |
Little Girl
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John 'Bud' Cardos | ... |
Thug
(as John Cardos)
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Jenny, a deaf runaway who has just arrived in San Francisco's Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin' Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin' Jim's truth-seeking friend Dave considers the band's pursuit of success "playing games," but he agrees to help Jennie anyway. Written by alfiehitchie
Psych-Out is as much a skewed look at the world of hippies as much as it is a praise-full one- Clark knew that he couldn't show hippies as they really were, despite that he could get filming rights in Haight-Ashbury and other sections of San Francisco, but hey if you're not going for realism, go for ciche! And what ciche it is: Strausberg is a deaf runaway looking in San Fran for her brother, played by Bruce Dern (a near Jesus look-a-like), named the Seeker, and yet instead falls in with a psychadelic rock group called Mumblin Jim, headed by Stoney, Jack Nicholson in a pre-Easy Rider look. The plot is used as a thread to showcase various cliched scenes; the pad filled with hippie-people, the acid-freak out, the scuffle with the fuzz (one of which a young Garry Marhsall), the scuffle with the regular folk, and the music scenes, one of which is a abhorrition on Hendrix's Purple Haze (it's the opening chords played backwards!). Yet, I can reccomend this movie to nostagia-fanatics, ex-hippie film buffs, and for those who'd like to see Nicholson before he started making money in Hollywood, and this is not saying he's bad in this, he's quite good considering the tripe of a screenplay. Another small plus is Kovacs on photography.
And hey, don't forget the Strawberry Alarm Clock and the seeds! B