Jean-Louis Trintignant plays a French contract assassin hired by a Los Angeles crime family, ostensibly to perform a hit on some other mafia target. But simultaneously, as he arrives to do ... See full summary »
Quando Marino va a Roma per una manifestazione non immagina certo di incontrare Marisa, che diventerà l'amore della sua vita. Ma una volta trovato l'amore, si tratta di impalmarlo e qua ... See full summary »
La storia del fascismo dalle origini del 1919 fino al '22 e la marcia su Roma vista attraverso gli occhi di Domenico Rocchetti e Umberto Gavazza. Il primo romano, sbandato dopo la guerra, ... See full summary »
An obscure Italian magistrate suspects that a well-known industrialist commited murder, and decides to investigate him, and bring him to court, whatever it takes. But - will the magistrate ... See full summary »
After her hot streak in Hollywood cooled down in the late 1960s, Ann-Margret turned to Las Vegas and television variety shows before "Carnal Knowledge" rescued her from a TV series. But prior to Vegas, she did a number of films overseas, this one being her second (following the international success of "The Tiger And The Pussycat"). Reunited with "Pussycat" co-star Vittorio Gassman, A-M is delightful playing a motorcycle-riding honey in Rome who befriends a mountain hermit lured out into society, where the media is now declaring him a soothsayer. The rank production values and sloppy English-dubbing aside, there's some worth in the relationship which develops between the two leads. It took guts for Ann-Margret to leave the mainstream as she did, and though the handful of pictures she made at this time weren't wildly successful in the States, at least she gave her all (and looks great to boot!). I got a few minor laughs out of "The Prophet", a scrappy, spaghetti-comedy; it isn't too memorable but it does have some imaginative flourishes and a thoughtful finish. Worth-finding for Ann-Margret's devotees. ** from ****
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