Down-on-his-luck theatrical producer Max Bialystock is forced to romance rich old ladies to finance his efforts. When timid accountant Leo Bloom reviews Max's accounting books, the two hit upon a way to make a fortune by producing a sure-fire flop. The play which is to be their gold mine? "Springtime for Hitler." Written by
Scott Renshaw <email@example.com>
Mel Brooks was so surprised to win the Oscar for Best Screenplay, he collected the award without a speech prepared. See more »
On opening night, the shots of people getting out of their cars show the Cort Theatre on the other side of the street. There is now no theatre across the street from the Cort but until 1969 it was Broadway's Playhouse Theater. See more »
This pin used to hold a pearl the size of your eye. Look at me now, LOOK AT ME NOW! I'm wearing a cardboard belt!
See more »
Zero Mostel is listed in the closing credits simply as "Zero". See more »
Broadway theatre producer, down-on-his-luck with a string of losers behind him, takes the joshing advice from his accountant to stage a sure-fire musical flop and sell off the interest in it, thereby leaving him a millionaire when the show closes after one night. Low-voltage hysteria from Oscar-winning screenwriter Mel Brooks, who also makes his debut as director. The timing is off, the scenes ramble without punch, the sets and art direction are appalling, and the opening scenes with Zero Mostel wooing different elderly women for show-money are disastrous. Oscar-nominated Gene Wilder has a very funny early scene freaking out in Mostel's office, and the auditions for their lopsided extravaganza are amusing. However, aside from the musical number "Springtime For Hitler", Brooks never quite gets the lead out. His pacing drags, and he's surely not helped by the flagging editing and overacting from just about everyone (Dick Shawn and Kenneth Mars are the worst culprits). Even though this is early-era Brooks, one is automatically inclined to cut him a wide berth for both his customary belly laughs and groaners--unfortunately, much of "The Producers" is lined with groaners, particularly in the third act after the show has opened. Later transformed into a Broadway musical and a 2005 film-adaptation of that show. ** from ****
8 of 10 people found this review helpful.
Was this review helpful to you?